{"id":3934,"date":"2023-04-10T13:43:00","date_gmt":"2023-04-10T11:43:00","guid":{"rendered":"https:\/\/www.nyaperspektiv.se\/news\/?p=3934"},"modified":"2023-10-04T11:49:59","modified_gmt":"2023-10-04T09:49:59","slug":"1-7-fif-obay-alsharani-sy-maria-moles-at-zoe-efstathiou-gr-egil-kalman-se","status":"publish","type":"post","link":"https:\/\/www.nyaperspektiv.se\/news\/?p=3934","title":{"rendered":"1\/7 FIF >> Obay Alsharani (SY) &#8211; Maria Moles (AU) &#8211; Zoe Efstathiou (GR) Egil Kalman (SE)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Entr\u00e9avgift \u00e4r medlemsavgiften f\u00f6r Nya Perspektiv f\u00f6r ett \u00e5r = 20kr<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Zoe-Efstathiou-Egil-Kalman-Credit_Sylvia_-Stenhauser-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Zoe-Efstathiou-Egil-Kalman-Credit_Sylvia_-Stenhauser-1024x518.jpg\" alt=\"Zoe Efstathiou\/Egil Kalman\" class=\"wp-image-3978\" width=\"800\" height=\"404\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Zoe-Efstathiou-Egil-Kalman-Credit_Sylvia_-Stenhauser-1024x518.jpg 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Zoe-Efstathiou-Egil-Kalman-Credit_Sylvia_-Stenhauser-300x152.jpg 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Zoe-Efstathiou-Egil-Kalman-Credit_Sylvia_-Stenhauser-768x388.jpg 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Zoe-Efstathiou-Egil-Kalman-Credit_Sylvia_-Stenhauser-1536x776.jpg 1536w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Zoe-Efstathiou-Egil-Kalman-Credit_Sylvia_-Stenhauser-2048x1035.jpg 2048w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><figcaption class=\"wp-element-caption\">foto: Sylvia Stenhauser<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">20.00 <strong>Zoe Efstathiou\/Egil Kalman<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The duo <strong>Zoe Efstathiou\/Egil Kalman<\/strong> explores the materiality of space by sculpting sound objects which are dynamically changing through interaction and improvisation. Subtle nuances alter the surface characteristics and boundaries of the objects, evoking a sensuous and tangible experience and creating an environment where the boundaries between the acoustic and electronic world become unclear. The piano, through the use of extended techniques, objects and microphones is explored in its timbral possibilities and serves as a surface for tactile explorations, often imitating the electronic world. The modular synthesizers take the form of physical masses, projecting the gravitational and material attributes of the sound with their formations.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">By tracing the microlevel sound articulations and the through timbral explorations of acoustic and electronic instruments, large scale forms are created where the momentary interpolates with the ever evolving. The music reflects the ephemeral, the transient state between future and past, inviting the listener to experience time as a superficial characteristic of reality.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>Zoe Efstathiou<\/strong><\/strong> &#8211; electronics<br><strong><strong>Egil Kalman<\/strong><\/strong> &#8211; double bass &#8211; electronics<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Zoe Efstathiou (piano) - Egil Kalman (modular synthesizer)\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/OM1t5wsEHn0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/egilkalman.com\/\">http:\/\/egilkalman.com\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/zoeefstathiou-egilkalman.bandcamp.com\/album\/alkekung\">https:\/\/zoeefstathiou-egilkalman.bandcamp.com\/album\/alkekung<\/a><br><br><a href=\"https:\/\/zoeefstathiou.bandcamp.com\/\">https:\/\/zoeefstathiou.bandcamp.com\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/MARIA-MOLES-Trudi-Trieble-818x1024-1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/MARIA-MOLES-Trudi-Trieble-818x1024-1.jpg\" alt=\"Maria Moles\" class=\"wp-image-3943\" width=\"535\" height=\"670\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/MARIA-MOLES-Trudi-Trieble-818x1024-1.jpg 818w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/MARIA-MOLES-Trudi-Trieble-818x1024-1-240x300.jpg 240w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/MARIA-MOLES-Trudi-Trieble-818x1024-1-768x961.jpg 768w\" sizes=\"auto, (max-width: 535px) 100vw, 535px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">21.00 Maria Moles (AU)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Maria Moles<\/strong> is an Australian drummer, composer and producer based in Narrm\/Melbourne. Her solo percussion performances draw on ideas from the Kulintang music of the Philippines and contemporary electronic production to weave hypnotic webs from layers of unmetered pulse that slowly undergo subtle textural transformations. In collaborative contexts ranging from free improvisation, jazz and contemporary composition to experimental pop, Maria contributes an acute sense of touch, placement and timbre, unashamed virtuosity and a powerful rhythmic drive.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">She has performed and collaborated with some of Australia\u2019s most renowned artists, including The Australian Art Orchestra, Anthony Pateras, Jim Denley, Amos Roach, Lucas Abela, Krakatau, Andrea Keller, Dave Brown, Jenny Barnes, Carolyn Connors, Scott Tinkler, James Rushford, Ernie Althoff, Tenzin Choegyal, and The Splinter Orchestra. Maria\u2019s debut EP \u2018Mondo Flockard\u2019 was released in 2016 through Perth label Tonelist, and was listed on Avant Music News under Best Albums of the Year. In 2017, she composed and performed a percussion and electronics score for Ben Christensen\u2019s 1922 film \u2018Haxan\u2019 at Dark Mofo festival in Hobart, Tasmania. Performing on solo drums, Maria&nbsp;has opened for Claire Rousay, MY DISCO, Clever Austin (Hiatus Kaiyote), Chris Corsano (Bjork, Thurston Moore, Evan Parker), Oren Ambarchi, and Alex Zhang Hungtai (Dirty Beaches). Her solo LP \u2018Opening\u2019 was released through Nice Music in January 2019. Maria was a recipient of the Art Music Fund in 2020 and released her second album \u2018For Leolanda\u2019 via Room4o in 2022.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Maria Moles<\/strong> &#8211; drums\/percussion<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-maria-moles wp-block-embed-maria-moles\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"iIXt45GNjA\"><a href=\"https:\/\/www.mariamoles.com\/\"><\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;&#8221; &#8212; Maria Moles \" src=\"https:\/\/www.mariamoles.com\/embed\/#?secret=LzOQYSCBgO#?secret=iIXt45GNjA\" data-secret=\"iIXt45GNjA\" width=\"474\" height=\"267\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Maria Moles - Opening\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/dCSTsQo1s_E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/obay-0027495593_10.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/obay-0027495593_10-1024x768.jpg\" alt=\"Obay Alsharani\" class=\"wp-image-3940\" width=\"634\" height=\"476\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/obay-0027495593_10-1024x768.jpg 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/obay-0027495593_10-300x225.jpg 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/obay-0027495593_10-768x576.jpg 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/obay-0027495593_10.jpg 1200w\" sizes=\"auto, (max-width: 634px) 100vw, 634px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">22.00 Obay Alsharani (SY)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Obay&#8217;s exquisite ambient sound worlds conjure the snowscapes and the shifting colours of the Arctic night sky. Lo-fi orchestral samples, melodies that tease the subconscious mind, and half-heard field recordings combine to produce an album with serious emotional weight.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Obay Alsharani<\/strong> is a Syrian migrant now settled in Sweden, and Sandbox is his debut album. Obay started producing music back in 2013 in his homeland of Syria. His lo-fi productions fused dusty samples of Arabic music with crunchy hip-hop beats, and he gained a dedicated following on Soundcloud after he started releasing his productions under the name Khan El Rouh; \u201c&#8230;it was great for escapism from all the horror that was happening outside when we watched what we started as peaceful protests for social equality and freedom of expression descend into a ravaging civil war between a brutal regime and the Islamists who took over the revolution\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As the situation in Damascus worsened, Obay fled Syria eventually being offered a scholarship in Sweden, which led to an extended period in refugee accommodation in the far north of the country while he awaited the result of his residence application. Here he resumed his beat-making, and also sought refuge in the world-building game Minecraft, a place where he could momentarily forget the chaos and destruction in his homeland and the upheaval and uncertainty of his situation in Sweden, and concentrate on creation.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Obay Alsharani<\/strong> &#8211; electronics<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Obay Alsharani - Cocoon\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/q_mtfmq4Gh8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/khanelrouh.bandcamp.com\/album\/sandbox\">https:\/\/khanelrouh.bandcamp.com\/album\/sandbox<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Entr\u00e9avgift \u00e4r medlemsavgiften f\u00f6r Nya Perspektiv f\u00f6r ett \u00e5r = 20kr<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Scen<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Klubb 19&nbsp;serveras fr\u00e5n 19.30-23.30.<br>Lokal: Slottsgatan 19, V\u00e4ster\u00e5s.<br>Tid: Klubb ifr\u00e5n 19.30 &nbsp; artister p\u00e5 scen: 20.00.<br>Entr\u00e9: 20 kr, medlemsskap registreras samtidigt!<br>Medlemmar som \u00e4r 18 \u00e5r eller yngre f\u00e5r alltid fri entr\u00e9!<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Tillg\u00e4nglighet<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Se info om tillg\u00e4nglighet f\u00f6r v\u00e5ra olika konsertlokaler p\u00e5 denna sida:<a href=\"https:\/\/www.nyaperspektiv.se\/news\/?page_id=1105&amp;embed=true#?secret=kVKRk1uNQY#?secret=UvRIsdiOBe\">https:\/\/www.nyaperspektiv.se\/news\/?page_id=1105&amp;embed=true#?secret=kVKRk1uNQY#?secret=UvRIsdiOBe<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Entr\u00e9avgift \u00e4r medlemsavgiften f\u00f6r Nya Perspektiv f\u00f6r ett \u00e5r = 20kr 20.00 Zoe Efstathiou\/Egil Kalman The duo Zoe Efstathiou\/Egil Kalman explores the materiality of space by sculpting sound objects which are dynamically changing through interaction and improvisation. Subtle nuances alter the surface characteristics and boundaries of the objects, evoking a sensuous and tangible experience and &hellip; <a href=\"https:\/\/www.nyaperspektiv.se\/news\/?p=3934\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">1\/7 FIF >> Obay Alsharani (SY) &#8211; Maria Moles (AU) &#8211; Zoe Efstathiou (GR) Egil Kalman (SE)<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":3946,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-3934","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-program"],"_links":{"self":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/posts\/3934","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3934"}],"version-history":[{"count":15,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/posts\/3934\/revisions"}],"predecessor-version":[{"id":4059,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/posts\/3934\/revisions\/4059"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/media\/3946"}],"wp:attachment":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3934"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3934"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}