{"id":3704,"date":"2022-03-14T13:00:50","date_gmt":"2022-03-14T12:00:50","guid":{"rendered":"https:\/\/www.nyaperspektiv.se\/news\/?p=3704"},"modified":"2022-05-01T19:04:44","modified_gmt":"2022-05-01T17:04:44","slug":"30-4-arrington-de-dionyso-us-senyawa-id","status":"publish","type":"post","link":"https:\/\/www.nyaperspektiv.se\/news\/?p=3704","title":{"rendered":"30\/4 Arrington\u00a0de\u00a0Dionyso\u00a0(US)\u00a0 &#8211; SENYAWA (ID)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Vi firar valborg med dessa internationella artister!<\/p>\n\n\n<button class=\"responsivevoice-button\" type=\"button\" title=\"ResponsiveVoice Tap to Start\/Stop Speech\" data-rvtts-action=\"speak\" data-rvtts-text=\"20.00 Arrington\u00a0de\u00a0Dionyso\u00a0(US)\u00a0 An uncompromising voice in contemporary music Arrington\u00a0de\u00a0Dionyso\u00a0(b. 1975 Chicago USA) integrates ancient soundmaking techniques with trans-modernist inquiries into the nature of consciousness. His propulsive improvisations utilize kargyraa voice combined with reed instruments (primarily bass clarinet, saxophone, and his invention the Bromiophone) as multiphonic tools in the navigation of liminal spaces between shamanic seance and rock and roll ecstasy.\u00a0 While deeply rooted in the punk inclination to tear down musical standards in an effort for liberation,\u00a0Arrington\u2019s music weds the iconoclasm of No-Wave Punk to the spiritual searching of Albert Ayler era Free Jazz along with more indigenous approaches to improvisation, reaching for an unveiling of primordially potent universalities. His compositions embrace sounds as colors, placing emphasis on the complimentary spectrums- from circular overtones whispered through bamboo flutes to the penetrating deep and guttural howls of amplified throatsinging- all with the lungs of an athlete. \u00a0\u00a0Over the last 25 years he has founded iconic experimental rock groups such as Old Time Relijun, Malaikat dan Singa, and This Saxophone Kills Fascists. He has also performed alongside many great icons of contemporary music including collaborations with members of Deerhoof, the Master Musicians of Jajouka, Senyawa, Fugazi, and The Violent Femmes. \u00a0As a kind of \u201cpunk ethnomusicologist\u201d\u00a0Arrington\u00a0circumvents academic approaches in favor of building direct relationships with the musical cultures he wishes to engage with, not as an \u201canthropologist\u201d studying an \u201cexotic other\u201d but as an invited participant and active collaborator. His investigations of Jathilan trance music in Java, and collaborations with groups such as Senyawa, Karinding Attack, and HMM have brought him to the forefront of the Indonesian experimental music scene, and he has recently traveled to Morocco (Master Musicians of Jajouka) and Peru (instrument builder Dmitri Manga) to build similar connections between the indigenous and the avant garde. \u00a0Whether as a band leader, solo performer, or in collaborative settings,\u00a0Arrington\u2019s music evokes an \u201cAncient Future\u201d, sometimes shocking and hallucinatory, always aiming to channel Spirit.\u00a0\" data-rvtts-voice=\"UK English Female\"><svg class=\"rvtts-icon\" width=\"22\" height=\"22\" viewBox=\"0 0 22 22\" fill=\"currentColor\" aria-hidden=\"true\" focusable=\"false\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M11 0C4.92345 0 0 4.92345 0 11C0 13.2683 0.690345 15.3772 1.86621 17.1221L0.811724 21.0517L4.70345 20.0124C6.48621 21.2641 8.65586 22 11 22C17.0766 22 22 17.0766 22 11C22 4.92345 17.0766 0 11 0ZM3.99793 9.99862C3.99793 9.44483 4.44552 8.99724 4.99931 8.99724C5.5531 8.99724 6.00069 9.44483 6.00069 9.99862V12.0014C6.00069 12.5552 5.5531 13.0028 4.99931 13.0028C4.44552 13.0028 3.99793 12.5552 3.99793 12.0014V9.99862ZM8.99724 13.9966C8.99724 14.5503 8.54966 14.9979 7.99586 14.9979C7.44207 14.9979 6.99448 14.5503 6.99448 13.9966V7.99586C6.99448 7.44207 7.44207 6.99448 7.99586 6.99448C8.54966 6.99448 8.99724 7.44207 8.99724 7.99586V13.9966ZM12.0014 17.0007C12.0014 17.5545 11.5538 18.0021 11 18.0021C10.4462 18.0021 9.99862 17.5545 9.99862 17.0007V4.99931C9.99862 4.44552 10.4462 3.99793 11 3.99793C11.5538 3.99793 12.0014 4.44552 12.0014 4.99931V17.0007ZM14.9979 13.9966C14.9979 14.5503 14.5503 14.9979 13.9966 14.9979C13.4428 14.9979 12.9952 14.5503 12.9952 13.9966V7.99586C12.9952 7.44207 13.4428 6.99448 13.9966 6.99448C14.5503 6.99448 14.9979 7.44207 14.9979 7.99586V13.9966ZM18.0021 12.0014C18.0021 12.5552 17.5545 13.0028 17.0007 13.0028C16.4469 13.0028 15.9993 12.5552 15.9993 12.0014V9.99862C15.9993 9.44483 16.4469 8.99724 17.0007 8.99724C17.5545 8.99724 18.0021 9.44483 18.0021 9.99862V12.0014Z\"\/><\/svg><span class=\"responsivevoice-button__label\">Listen to the text about Arrington de Dionyso<\/span><\/button> <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">20.00 <strong>Arrington&nbsp;de&nbsp;Dionyso<\/strong>&nbsp;(US)&nbsp;<\/h2>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/1.bp.blogspot.com\/-WFK2wAwJsY8\/XUFg09MMCKI\/AAAAAAAADLU\/iljS4qP5EucZN5-8npX7i_QAMofDnMDRQCLcBGAs\/s1600\/arrington.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/1.bp.blogspot.com\/-WFK2wAwJsY8\/XUFg09MMCKI\/AAAAAAAADLU\/iljS4qP5EucZN5-8npX7i_QAMofDnMDRQCLcBGAs\/s320\/arrington.jpg\" alt=\"\"\/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">An uncompromising voice in contemporary music Arrington&nbsp;de&nbsp;Dionyso&nbsp;(b. 1975 Chicago USA) integrates ancient soundmaking techniques with trans-modernist inquiries into the nature of consciousness. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">His propulsive improvisations utilize kargyraa voice combined with reed instruments (primarily bass clarinet, saxophone, and his invention the Bromiophone) as multiphonic tools in the navigation of liminal spaces between shamanic seance and rock and roll ecstasy.&nbsp; <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">While deeply rooted in the punk inclination to tear down musical standards in an effort for liberation,&nbsp;Arrington&#8217;s music weds the iconoclasm of No-Wave Punk to the spiritual searching of Albert Ayler era Free Jazz along with more indigenous approaches to improvisation, reaching for an unveiling of primordially potent universalities. His compositions embrace sounds as colors, placing emphasis on the complimentary spectrums- from circular overtones whispered through bamboo flutes to the penetrating deep and guttural howls of amplified throatsinging- all with the lungs of an athlete.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;Over the last 25 years he has founded iconic experimental rock groups such as Old Time Relijun, Malaikat dan Singa, and This Saxophone Kills Fascists. He has also performed alongside many great icons of contemporary music including collaborations with members of Deerhoof, the Master Musicians of Jajouka, Senyawa, Fugazi, and The Violent Femmes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;As a kind of &#8220;punk ethnomusicologist&#8221;&nbsp;Arrington&nbsp;circumvents academic approaches in favor of building direct relationships with the musical cultures he wishes to engage with, not as an &#8220;anthropologist&#8221; studying an &#8220;exotic other&#8221; but as an invited participant and active collaborator. His investigations of Jathilan trance music in Java, and collaborations with groups such as Senyawa, Karinding Attack, and HMM have brought him to the forefront of the Indonesian experimental music scene, and he has recently traveled to Morocco (Master Musicians of Jajouka) and Peru (instrument builder Dmitri Manga) to build similar connections between the indigenous and the avant garde. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;Whether as a band leader, solo performer, or in collaborative settings,&nbsp;Arrington&#8217;s music evokes an &#8220;Ancient Future&#8221;, sometimes shocking and hallucinatory, always aiming to channel Spirit.&nbsp;<\/p>\n\n\n<p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>links:&nbsp;<br>Interview from&nbsp;the Quietus&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/thequietus.com\/articles\/22995-this-saxophone-kills-fascists-arrington-de-dionyso-interview\" target=\"_blank\">https:\/\/thequietus.com\/articles\/22995-this-saxophone-kills-fascists-arrington-de-dionyso-interview<\/a><br>Bandcamp:&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/www.arrington.bandcamp.com\/\" target=\"_blank\">www.arrington.bandcamp.com<\/a><br>Youtube channel&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/arringtondedionyso\" target=\"_blank\">www.youtube.com\/arringtondedionyso<\/a><br>Arrington&#8217;s invented instrument THE BROMIOPHONE<br>&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=UwhckKENDoU&amp;t=10s\" target=\"_blank\">Bromiophone (PVC Contrabass Clarinet) Alat Guntur<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Arrington de Dionyso SONGS OF PSYCHIC FIRE\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/F1rcJ2t_Is0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Malaikat dan Singa &quot;Mingkar Mingkur&quot; OFFICIAL VIDEO\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/0U5rASZnV14?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh3.googleusercontent.com\/OdkhpxtR0GPNV0X1n7gSa8uQzrVrqDKItuLir1dLo_2MVuQ57K9gEdZylOxCd3IMDNNFIha5oo2Lq8pDapkRMFkNEsT74bvgR4CAxpcZUnzY9OWLqSpoQvv9n_LORF83F56G6-0Y\" alt=\"\"\/><\/figure>\n\n\n<button class=\"responsivevoice-button\" type=\"button\" title=\"ResponsiveVoice Tap to Start\/Stop Speech\" data-rvtts-action=\"speak\" data-rvtts-text=\"21.00 Senyawa (IN) Den experimentella duon Senyawa best\u00e5r av s\u00e5ngaren Rully Shabara och instrumentalisten Wukir Suryadi. Shabaras s\u00e5ng str\u00e4cker sig fr\u00e5n black metalinfluerad growlteknik till delikat falsett. Suryadi \u00e4r instrumentbyggare och spelar egna str\u00e4nginstrument av bambu, utrustade med elgitarrmikrofoner. Han spelar ibland akustiskt, och ibland skickas ljudsignalen genom en rad effektpedaler. Han kn\u00e4pper, gnider och trummar p\u00e5 sitt egendomliga instrument och skapar p\u00e5 s\u00e5 vis alltifr\u00e5n sk\u00f6ra melodier till beats och rent noise. Senyawa kommer fr\u00e5n den ur\u00e5ldriga staden Yogyakarta i centrala Java, Indonesien. Deras musik reflekterar det traditionella musikarvet fr\u00e5n Java, filtrerat genom ett nutida experimentellt f\u00f6rh\u00e5llningss\u00e4tt.\" data-rvtts-voice=\"Swedish Female\"><svg class=\"rvtts-icon\" width=\"22\" height=\"22\" viewBox=\"0 0 22 22\" fill=\"currentColor\" aria-hidden=\"true\" focusable=\"false\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M11 0C4.92345 0 0 4.92345 0 11C0 13.2683 0.690345 15.3772 1.86621 17.1221L0.811724 21.0517L4.70345 20.0124C6.48621 21.2641 8.65586 22 11 22C17.0766 22 22 17.0766 22 11C22 4.92345 17.0766 0 11 0ZM3.99793 9.99862C3.99793 9.44483 4.44552 8.99724 4.99931 8.99724C5.5531 8.99724 6.00069 9.44483 6.00069 9.99862V12.0014C6.00069 12.5552 5.5531 13.0028 4.99931 13.0028C4.44552 13.0028 3.99793 12.5552 3.99793 12.0014V9.99862ZM8.99724 13.9966C8.99724 14.5503 8.54966 14.9979 7.99586 14.9979C7.44207 14.9979 6.99448 14.5503 6.99448 13.9966V7.99586C6.99448 7.44207 7.44207 6.99448 7.99586 6.99448C8.54966 6.99448 8.99724 7.44207 8.99724 7.99586V13.9966ZM12.0014 17.0007C12.0014 17.5545 11.5538 18.0021 11 18.0021C10.4462 18.0021 9.99862 17.5545 9.99862 17.0007V4.99931C9.99862 4.44552 10.4462 3.99793 11 3.99793C11.5538 3.99793 12.0014 4.44552 12.0014 4.99931V17.0007ZM14.9979 13.9966C14.9979 14.5503 14.5503 14.9979 13.9966 14.9979C13.4428 14.9979 12.9952 14.5503 12.9952 13.9966V7.99586C12.9952 7.44207 13.4428 6.99448 13.9966 6.99448C14.5503 6.99448 14.9979 7.44207 14.9979 7.99586V13.9966ZM18.0021 12.0014C18.0021 12.5552 17.5545 13.0028 17.0007 13.0028C16.4469 13.0028 15.9993 12.5552 15.9993 12.0014V9.99862C15.9993 9.44483 16.4469 8.99724 17.0007 8.99724C17.5545 8.99724 18.0021 9.44483 18.0021 9.99862V12.0014Z\"\/><\/svg><span class=\"responsivevoice-button__label\">Lyssna p\u00e5 texten<\/span><\/button> <\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>21.00 Senyawa (IN)<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Den experimentella duon <strong>Senyawa<\/strong> best\u00e5r av s\u00e5ngaren <strong>Rully Shabara<\/strong> och instrumentalisten<strong> Wukir Suryadi<\/strong>. Shabaras s\u00e5ng str\u00e4cker sig fr\u00e5n black metalinfluerad growlteknik till delikat falsett. Suryadi \u00e4r instrumentbyggare och spelar egna str\u00e4nginstrument av bambu, utrustade med elgitarrmikrofoner. Han spelar ibland akustiskt, och ibland skickas ljudsignalen genom en rad effektpedaler. Han kn\u00e4pper, gnider och trummar p\u00e5 sitt egendomliga instrument och skapar p\u00e5 s\u00e5 vis alltifr\u00e5n sk\u00f6ra melodier till beats och rent noise.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Senyawa kommer fr\u00e5n den ur\u00e5ldriga staden Yogyakarta i centrala Java, Indonesien. Deras musik reflekterar det traditionella musikarvet fr\u00e5n Java, filtrerat genom ett nutida experimentellt f\u00f6rh\u00e5llningss\u00e4tt. <\/p>\n\n\n<p>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" href=\"http:\/\/senyawa.tumblr.com\/\" target=\"_blank\">http:\/\/senyawa.tumblr.com\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" href=\"https:\/\/www.facebook.com\/senyawaduo\" target=\"_blank\"><\/a><a rel=\"noreferrer noopener\" href=\"https:\/\/www.facebook.com\/senyawaduo\" target=\"_blank\">https:\/\/www.facebook.com\/senyawaduo<\/a><br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.nytimes.com\/2021\/02\/18\/arts\/music\/senyawa-alkisah.html\" target=\"_blank\">https:\/\/www.nytimes.com\/2021\/02\/18\/arts\/music\/senyawa-alkisah.html<\/a><br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.facebook.com\/senyawaduo\" target=\"_blank\"><\/a><a rel=\"noreferrer noopener\" href=\"https:\/\/www.nme.com\/en_asia\/reviews\/album\/senyawa-alkisah-review-indonesian-avant-garde-2889588\" target=\"_blank\">Senyawa \u2013 &#8216;Alkisah&#8217; review: Indonesian avant-garde titans continue to evolve<\/a><br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.nme.com\/en_asia\/reviews\/album\/senyawa-alkisah-review-indonesian-avant-garde-2889588\" target=\"_blank\">Senyawa \u2013 &#8216;Alkisah&#8217; review: Indonesian avant-garde titans continue to ev&#8230;Indonesian avant garde duo Senyawa kickstart their second decade with the album &#8216;Alkisah&#8217;, a portentous collecti&#8230;<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"CALLING THE NEW GODS \u2022 SENYAWA LIVE IN JAVA\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/1mm0u2dQhQw?start=637&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Senyawa - Bekal Ilmu [promo] Morphine Records\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/IoprHfCwd10?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n<button class=\"responsivevoice-button\" type=\"button\" title=\"ResponsiveVoice Tap to Start\/Stop Speech\" data-rvtts-action=\"speak\" data-rvtts-text=\"Jogjakarta\u2019s Senyawa embodies the aural elements of Javanese music whilst exploring the framework of experimental music practice, pushing the boundaries of both traditions. Their music strikes a perfect balance between their avant-garde influences and cultural heritage to create truly contemporary Indonesian new music. Their sound is comprised of Rully Shabara\u2019s deft extended vocal techniques punctuating the frenetic sounds of instrument builder, Wukir Suryadi\u2019s modern-primitive instrumentation. Inventions like his handcrafted \u2018Bamboo Spear\u2019; a thick stem of bamboo strung up with percussive strips of the animal skin along side steel strings. Amplified it fuses elements of traditional Indonesian instrumentation with garage guitar distortion. Sonically dynamic, the instrument can be rhythmically percussive on one side whilst being melodically bowed and plucked on the other. As a duo they have been performing and playing together extensively over the last 5 years and have toured Indonesia several times over. In 2011 they were invited to perform internationally for the first time at the Melbourne International Jazz Festival sharing the stage with many great musicians such as Faust, Tony Conrad and Charlemagne Palestine. Since then they have gone on to perform at MONA FOMA Festival in Tasmania, the Adelaide Festival with Korean singer Bae Il Dong, toured as special guests of Australian supergroup Regurgitator, performed at the Glatt und Verkert Festival in Austria along side Japanese guitar master Kazuhisa Uchihashi, as well as the Malmo Sommarscen Festival in Sweden, Salihara Literature Festival in Jakarta, CTM Festival in Berlin, Copenhagen Jazz Festival, Clandestino Festival in Norway and Oct Loft Jazz Festival in China. Senyawa was awarded a one month residency at AIR Krems as part of the Krems city wide festival in Austria where they were the star guests. They have collaborated and performed with many notable musicians such Yoshida Tatsuya, Lucas Abela, KK Null, Keiji Haino, Melt Banana, Jon Sass, Damo Suzuki, Jerome Cooper, David Shea and Kazu Ushihashi. In 2012 they completed a film in collaboration with French filmmaker Vincent Moon.\u00a0\" data-rvtts-voice=\"UK English Male\"><svg class=\"rvtts-icon\" width=\"22\" height=\"22\" viewBox=\"0 0 22 22\" fill=\"currentColor\" aria-hidden=\"true\" focusable=\"false\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M11 0C4.92345 0 0 4.92345 0 11C0 13.2683 0.690345 15.3772 1.86621 17.1221L0.811724 21.0517L4.70345 20.0124C6.48621 21.2641 8.65586 22 11 22C17.0766 22 22 17.0766 22 11C22 4.92345 17.0766 0 11 0ZM3.99793 9.99862C3.99793 9.44483 4.44552 8.99724 4.99931 8.99724C5.5531 8.99724 6.00069 9.44483 6.00069 9.99862V12.0014C6.00069 12.5552 5.5531 13.0028 4.99931 13.0028C4.44552 13.0028 3.99793 12.5552 3.99793 12.0014V9.99862ZM8.99724 13.9966C8.99724 14.5503 8.54966 14.9979 7.99586 14.9979C7.44207 14.9979 6.99448 14.5503 6.99448 13.9966V7.99586C6.99448 7.44207 7.44207 6.99448 7.99586 6.99448C8.54966 6.99448 8.99724 7.44207 8.99724 7.99586V13.9966ZM12.0014 17.0007C12.0014 17.5545 11.5538 18.0021 11 18.0021C10.4462 18.0021 9.99862 17.5545 9.99862 17.0007V4.99931C9.99862 4.44552 10.4462 3.99793 11 3.99793C11.5538 3.99793 12.0014 4.44552 12.0014 4.99931V17.0007ZM14.9979 13.9966C14.9979 14.5503 14.5503 14.9979 13.9966 14.9979C13.4428 14.9979 12.9952 14.5503 12.9952 13.9966V7.99586C12.9952 7.44207 13.4428 6.99448 13.9966 6.99448C14.5503 6.99448 14.9979 7.44207 14.9979 7.99586V13.9966ZM18.0021 12.0014C18.0021 12.5552 17.5545 13.0028 17.0007 13.0028C16.4469 13.0028 15.9993 12.5552 15.9993 12.0014V9.99862C15.9993 9.44483 16.4469 8.99724 17.0007 8.99724C17.5545 8.99724 18.0021 9.44483 18.0021 9.99862V12.0014Z\"\/><\/svg><span class=\"responsivevoice-button__label\">Listen to the text about Seyawa<\/span><\/button> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jogjakarta&#8217;s Senyawa embodies the aural elements of Javanese music whilst exploring the framework of experimental music practice, pushing the boundaries of both traditions. Their music strikes a perfect balance between their avant-garde influences and cultural heritage to create truly contemporary Indonesian new music.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Their sound is comprised of Rully Shabara&#8217;s deft extended vocal techniques punctuating the frenetic sounds of instrument builder, Wukir Suryadi&#8217;s modern-primitive instrumentation. Inventions like his handcrafted &#8216;Bamboo Spear&#8217;; a thick stem of bamboo strung up with percussive strips of the animal skin along side steel strings. Amplified it fuses elements of traditional Indonesian instrumentation with garage guitar distortion. Sonically dynamic, the instrument can be rhythmically percussive on one side whilst being melodically bowed and plucked on the other.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As a duo they have been performing and playing together extensively over the last 5 years and have toured Indonesia several times over. In 2011 they were invited to perform internationally for the first time at the Melbourne International Jazz Festival sharing the stage with many great musicians such as Faust, Tony Conrad and Charlemagne Palestine.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Since then they have gone on to perform at MONA FOMA Festival in Tasmania, the Adelaide Festival with Korean singer Bae Il Dong, toured as special guests of Australian supergroup Regurgitator, performed at the Glatt und Verkert Festival in Austria along side Japanese guitar master Kazuhisa Uchihashi, as well as the Malmo Sommarscen Festival in Sweden, Salihara Literature Festival in Jakarta, CTM Festival in Berlin, Copenhagen Jazz Festival, Clandestino Festival in Norway and Oct Loft Jazz Festival in China. Senyawa was awarded a one month residency at AIR Krems as part of the Krems city wide festival in Austria where they were the star guests.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">They have collaborated and performed with many notable musicians such Yoshida Tatsuya, Lucas Abela, KK Null, Keiji Haino, Melt Banana, Jon Sass, Damo Suzuki, Jerome Cooper, David Shea and Kazu Ushihashi. In 2012 they completed a film in collaboration with French filmmaker Vincent Moon.&nbsp;<\/p>\n\n\n<p>\n\n\n<button class=\"responsivevoice-button\" type=\"button\" title=\"ResponsiveVoice Tap to Start\/Stop Speech\" data-rvtts-action=\"speak\" data-rvtts-text=\"Klubb 19\u00a0serveras fr\u00e5n 19.30-23.00.Lokal: Slottsgatan 19, V\u00e4ster\u00e5s.Tid: Klubb ifr\u00e5n 19.30 \u00a0 artister p\u00e5 scen: 20.00.Entr\u00e9: 100 kr, studerande 80 kr.Entr\u00e9 f\u00f6r medlemmar: 80 kr \/ studerande 60 kr.Medlemsavgift: 20kr\/\u00e5r.Medlemmar som \u00e4r 18 \u00e5r eller yngre f\u00e5r alltid fri entr\u00e9! Tillg\u00e4nglighet Se info om tillg\u00e4nglighet f\u00f6r v\u00e5ra olika konsertlokaler p\u00e5 denna sida: Tillg\u00e4nglighet\" data-rvtts-voice=\"Swedish Female\"><svg class=\"rvtts-icon\" width=\"22\" height=\"22\" viewBox=\"0 0 22 22\" fill=\"currentColor\" aria-hidden=\"true\" focusable=\"false\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M11 0C4.92345 0 0 4.92345 0 11C0 13.2683 0.690345 15.3772 1.86621 17.1221L0.811724 21.0517L4.70345 20.0124C6.48621 21.2641 8.65586 22 11 22C17.0766 22 22 17.0766 22 11C22 4.92345 17.0766 0 11 0ZM3.99793 9.99862C3.99793 9.44483 4.44552 8.99724 4.99931 8.99724C5.5531 8.99724 6.00069 9.44483 6.00069 9.99862V12.0014C6.00069 12.5552 5.5531 13.0028 4.99931 13.0028C4.44552 13.0028 3.99793 12.5552 3.99793 12.0014V9.99862ZM8.99724 13.9966C8.99724 14.5503 8.54966 14.9979 7.99586 14.9979C7.44207 14.9979 6.99448 14.5503 6.99448 13.9966V7.99586C6.99448 7.44207 7.44207 6.99448 7.99586 6.99448C8.54966 6.99448 8.99724 7.44207 8.99724 7.99586V13.9966ZM12.0014 17.0007C12.0014 17.5545 11.5538 18.0021 11 18.0021C10.4462 18.0021 9.99862 17.5545 9.99862 17.0007V4.99931C9.99862 4.44552 10.4462 3.99793 11 3.99793C11.5538 3.99793 12.0014 4.44552 12.0014 4.99931V17.0007ZM14.9979 13.9966C14.9979 14.5503 14.5503 14.9979 13.9966 14.9979C13.4428 14.9979 12.9952 14.5503 12.9952 13.9966V7.99586C12.9952 7.44207 13.4428 6.99448 13.9966 6.99448C14.5503 6.99448 14.9979 7.44207 14.9979 7.99586V13.9966ZM18.0021 12.0014C18.0021 12.5552 17.5545 13.0028 17.0007 13.0028C16.4469 13.0028 15.9993 12.5552 15.9993 12.0014V9.99862C15.9993 9.44483 16.4469 8.99724 17.0007 8.99724C17.5545 8.99724 18.0021 9.44483 18.0021 9.99862V12.0014Z\"\/><\/svg><span class=\"responsivevoice-button__label\">Lyssna p\u00e5 texten<\/span><\/button> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Klubb 19\u00a0serveras fr\u00e5n 19.30-23.00.<br>Lokal: Slottsgatan 19, V\u00e4ster\u00e5s.<br>Tid: Klubb ifr\u00e5n 19.30 \u00a0 artister p\u00e5 scen: 20.00.<br>Entr\u00e9: 100 kr, studerande 80 kr.<br>Entr\u00e9 f\u00f6r medlemmar: 80 kr \/ studerande 60 kr.<br>Medlemsavgift: 20kr\/\u00e5r.<br>Medlemmar som \u00e4r 18 \u00e5r eller yngre f\u00e5r alltid fri entr\u00e9!<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Tillg\u00e4nglighet<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Se info om tillg\u00e4nglighet f\u00f6r v\u00e5ra olika konsertlokaler p\u00e5 denna sida:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-embed wp-block-embed-embed\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"ZjopBFRnqT\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/?page_id=1105\">Tillg\u00e4nglighet<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Tillg\u00e4nglighet&#8221; &#8212; \" src=\"https:\/\/www.nyaperspektiv.se\/news\/?page_id=1105&#038;embed=true#?secret=2slOZXZs4Z#?secret=ZjopBFRnqT\" data-secret=\"ZjopBFRnqT\" width=\"474\" height=\"267\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n<p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vi firar valborg med dessa internationella artister! links:&nbsp;Interview from&nbsp;the Quietus&nbsp;https:\/\/thequietus.com\/articles\/22995-this-saxophone-kills-fascists-arrington-de-dionyso-interviewBandcamp:&nbsp;www.arrington.bandcamp.comYoutube channel&nbsp;www.youtube.com\/arringtondedionysoArrington&#8217;s invented instrument THE BROMIOPHONE&nbsp;Bromiophone (PVC Contrabass Clarinet) Alat Guntur http:\/\/senyawa.tumblr.com\/ https:\/\/www.facebook.com\/senyawaduohttps:\/\/www.nytimes.com\/2021\/02\/18\/arts\/music\/senyawa-alkisah.htmlSenyawa \u2013 &#8216;Alkisah&#8217; review: Indonesian avant-garde titans continue to evolveSenyawa \u2013 &#8216;Alkisah&#8217; review: Indonesian avant-garde titans continue to ev&#8230;Indonesian avant garde duo Senyawa kickstart their second decade with the album &#8216;Alkisah&#8217;, a portentous collecti&#8230;<\/p>\n","protected":false},"author":1,"featured_media":3728,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-3704","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-program"],"_links":{"self":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/posts\/3704","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3704"}],"version-history":[{"count":9,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/posts\/3704\/revisions"}],"predecessor-version":[{"id":3762,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/posts\/3704\/revisions\/3762"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/media\/3728"}],"wp:attachment":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3704"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3704"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3704"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}