{"id":1651,"date":"2014-03-28T01:10:11","date_gmt":"2014-03-28T00:10:11","guid":{"rendered":"http:\/\/www.nyaperspektiv.se\/news\/?p=1651"},"modified":"2014-09-15T12:30:16","modified_gmt":"2014-09-15T10:30:16","slug":"244-trophies-itausaaus","status":"publish","type":"post","link":"https:\/\/www.nyaperspektiv.se\/news\/?p=1651","title":{"rendered":"24\/4 Trophies (ITA,JPN,AUS)"},"content":{"rendered":"<p>Det \u00e4r ingen tvekan om att den italienskf\u00f6dde r\u00f6stmusikern\u00a0<strong>Alessandro Bosetti<\/strong>\u00a0st\u00e5r f\u00f6r ett eget genuint uttryck inom den nutida musiken idag, d\u00e5 kanske fr\u00e4mst inom improvisationsscenen, men \u00e4ven inom ett st\u00f6rre omr\u00e5de s\u00e5som poesi och konstmusik. Kanske beror det starka uttycket av dess genrel\u00f6shet som bryter sig ut och l\u00e5ter sig vara nyskapande. I hans grupp Trophies medverkar den japanske gitarristen och samisenvirtuosen Kenta Nagai som p\u00e5 ett precist s\u00e4tt skapar en harmoni med de tal-formationer som Bosetti konstruerar. Med Tony Bucks pulserande och texturella trumspel uppkommer ett samspel med de loopbaserade ordfragmenten.\u00a0Tony Bucks tillh\u00f6r en av de fr\u00e4msta trumslagarna idag medverkande i grupper som the Necks och i samarbeten t.ex. med John Zorn, The Ex osv.<\/p>\n<p><strong>Alessandro Bosetti<\/strong>\u00a0\u2013 voice\/electronics (ITA &#8211; GER)<br \/>\n<strong>Kenta Nagai<\/strong>\u00a0\u2013 guitar, fretless guitar (JPN &#8211; USA)<br \/>\n<strong>Tony Buck<\/strong>\u00a0\u2013 drums (AUS)<\/p>\n<p><iframe loading=\"lazy\" title=\"Trophies (Alessandro Bosetti - Kenta Nagai - Ches Smith), Live at Roulette, Nov. 2009, Excerpts.\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/uqAKggjAeOY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"TROPHIES - You Wait to Publish \/ Errepikatzen Sample 2012\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/GtnAcJZyBKI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<blockquote><p>\u201d \u2026 In the work of composer Alessandro Bosetti, the gap between music and speech gets a lot smaller. Both in his solo music and with his trio Trophies, he explores what he calls \u201crepetitive speech-loop forms.\u201d Frequently, this involves him recording people either reading lines or speaking extemporaneously, then transposing the recordings into written music. Often, Bosetti then speaks the same words himself in conjunction with that music. On his latest solo CD Royals and Trophies\u2019 new album Become Objects of Daily Use (both released by Polish label Monotype), he constantly questions the roles of music and speech: whether they convey literal meaning, act as pure sound, or do something in between \u2026\u00a0<em>Marc Masters \u2013 Pitchfork<\/em>\u00a0<a href=\"http:\/\/pitchfork.com\/features\/the-out-door\/8012-the-out-door-16\/3\/\" target=\"_blank\">&gt;&gt;&gt;<\/a><\/p>\n<p>What Alessandro Bosetti is doing is truly new\u2014and in an era of revisionism, that\u2019s saying quite a lot.\u00a0<em>Kurt Gottschalk\u00a0<a href=\"http:\/\/www.melgun.net\/wp-content\/uploads\/2013\/10\/STN63_p52.pdf\" target=\"_blank\">&gt;&gt;&gt;<\/a><\/em><\/p>\n<p>Jag vet inte om jag har uttryckt mig tydligt eller ens t\u00e4nkt ordentligt, d\u00e5 jag f\u00f6ljt mina rysningar l\u00e4ngs ryggraden ner i ryggbastet, d\u00e5 skivan snurrat. P\u00e5 ett egenartat s\u00e4tt har avantgarde och tradition, impro och melodi sm\u00e4lt bort f\u00f6r att p\u00e5 detta s\u00e4tt \u00e5teruppst\u00e5. Och stundtals blir jag s\u00e5 h\u00e4nf\u00f6rd att jag reser mig upp och utropar: Lazarus! Men besinnar mig genast, eftersom jag d\u00e4rmed blivit precis s\u00e5 pretto, som jag inte tyckte orden skulle vara. \u00c5teruppst\u00e5ndelse h\u00f6r till religionens v\u00e4rld. Det h\u00e4r \u00e4r st\u00f6rre! Fan, nu \u00e4r jag d\u00e4r igen!! Strunt i religionen och antiteserna &#8211; det h\u00e4r \u00e4r skitbra. Kort och gott. Punkt!!<br \/>\n<em>Thomas Millroth om Throphies senaste skiva\u00a0<a href=\"http:\/\/www.soundofmusic.nu\/recension\/trophies-you-wait-publish\" target=\"_blank\">&gt;&gt;&gt;<\/a><\/em><\/p><\/blockquote>\n<p><a href=\"http:\/\/www.melgun.net\/\">http:\/\/www.melgun.net<\/a><\/p>\n<p><a href=\"http:\/\/tony-buck.com\/\">http:\/\/tony-buck.com<\/a><\/p>\n<p>Kenta Nagi (<a href=\"https:\/\/www.google.se\/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=3&amp;cad=rja&amp;ved=0CDMQtwIwAg&amp;url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DHgc2fxzMePM&amp;ei=7SHLUuneDcyIyAPP9ICYDw&amp;usg=AFQjCNEWQEs9RgkluALcP_8mkUPFSRcFAA&amp;bvm=bv.58187178,d.bGQ\" target=\"_blank\">youtube<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Det \u00e4r ingen tvekan om att den italienskf\u00f6dde r\u00f6stmusikern\u00a0Alessandro Bosetti\u00a0st\u00e5r f\u00f6r ett eget genuint uttryck inom den nutida musiken idag, d\u00e5 kanske fr\u00e4mst inom improvisationsscenen, men \u00e4ven inom ett st\u00f6rre omr\u00e5de s\u00e5som poesi och konstmusik. Kanske beror det starka uttycket av dess genrel\u00f6shet som bryter sig ut och l\u00e5ter sig vara nyskapande. I hans grupp &hellip; <a href=\"https:\/\/www.nyaperspektiv.se\/news\/?p=1651\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">24\/4 Trophies (ITA,JPN,AUS)<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1600,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-1651","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-program"],"_links":{"self":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/posts\/1651","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1651"}],"version-history":[{"count":4,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/posts\/1651\/revisions"}],"predecessor-version":[{"id":1829,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/posts\/1651\/revisions\/1829"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/media\/1600"}],"wp:attachment":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1651"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1651"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}