{"id":3843,"date":"2022-09-02T15:52:17","date_gmt":"2022-09-02T13:52:17","guid":{"rendered":"https:\/\/www.nyaperspektiv.se\/news\/?page_id=3843"},"modified":"2026-02-27T15:58:37","modified_gmt":"2026-02-27T14:58:37","slug":"program-var-sommar-2022","status":"publish","type":"page","link":"https:\/\/www.nyaperspektiv.se\/news\/?page_id=3843","title":{"rendered":"V\u00e5r 2022"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/elsabergman2.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"549\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/elsabergman2-1024x549.png\" alt=\"sammansatt bild p\u00e5 bandmedlemmarna av olika portr\u00e4tt: ELSA BERGMAN. FINN LOXBO. RYAN PACKARD.\" class=\"wp-image-3746\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/elsabergman2-1024x549.png 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/elsabergman2-300x161.png 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/elsabergman2-768x412.png 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/elsabergman2-1536x823.png 1536w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/elsabergman2.png 1866w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<h1 class=\"wp-block-heading\">2\/4 ELSA BERGMAN\/FINN LOXBO\/RYAN PACKARD<\/h1>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"2\/4 ELSA BERGMAN\/FINN LOXBO\/RYAN PACKARD\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/Spkr4Yc-9fg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><em>notera att ljudet \u00e4r avst\u00e4ngt pga tekniskt fel i b\u00f6rjan p\u00e5 streamingen<\/em><br><em>l\u00e4nken ovan \u00e4r satt till n\u00e4r ljudet b\u00f6rjar.<\/em><\/p>\n\n\n\n<p><em>en version med korret ljud kommer att l\u00e4ggas snart!<\/em><\/p>\n\n\n\n<p>Vi har n\u00f6jet att presentera en kraftfull portion av unga musiker som representerar n\u00e4sta generation av improvisationsmusik. Med fullt av energi och fram\u00e5tr\u00f6relse formulerar dessa synnerligen beg\u00e5vade musiker ett starkt och rykande f\u00e4rskt inslag ifr\u00e5n den samtida scenen.<\/p>\n\n\n\n<p><strong>Elsa Bergman&nbsp;<\/strong>\u2013 elbas<br><strong>Finn Loxbo<\/strong>&nbsp;\u2013 elgitarr<br><strong>Ryan Packard<\/strong>&nbsp;\u2013 trummor<\/p>\n\n\n\n<p><a href=\"https:\/\/elsabergman.bandcamp.com\/\">https:\/\/elsabergman.bandcamp.com\/<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ryanpackardsounds.org\/\">https:\/\/ryanpackardsounds.org\/<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/soundcloud.com\/finn-loxbo\">https:\/\/soundcloud.com\/finn-loxbo<\/a>https:\/\/player.vimeo.com\/video\/691136495?h=f01f21d25c&amp;dnt=1&amp;app_id=122963<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Elsa Bergman \/ Finn Loxbo \/ Ryan Packard\" src=\"https:\/\/player.vimeo.com\/video\/691136495?dnt=1&amp;app_id=122963\" width=\"474\" height=\"267\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Klubb 19&nbsp;serveras fr\u00e5n 19.30-22.30.<br>Lokal: Slottsgatan 19, V\u00e4ster\u00e5s.<br>Tid: Klubb ifr\u00e5n 19.30 &nbsp; artister p\u00e5 scen: 20.00.<br>Entr\u00e9: 100 kr, studerande 80 kr.<br>Entr\u00e9 f\u00f6r medlemmar: 80 kr \/ studerande 60 kr.<br>Medlemsavgift: 20kr\/\u00e5r.<br>Medlemmar som \u00e4r 18 \u00e5r eller yngre f\u00e5r alltid fri entr\u00e9!<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/www.youtube.com\/watch?v=Spkr4Yc-9fg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/youtube-live_mint_against_black-1.png\" alt=\"youtube likel\u00e4nk\n\" class=\"wp-image-3661\" width=\"155\" height=\"103\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/youtube-live_mint_against_black-1.png 640w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/youtube-live_mint_against_black-1-300x200.png 300w\" sizes=\"auto, (max-width: 155px) 100vw, 155px\" \/><\/a><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/oscarsson2022-2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/oscarsson2022-2-1024x576.png\" alt=\"bild p\u00e5 ERIK OSCARSSON. MARTIN K\u00dcCHEN. JOHAN BERTHLING. MAGNUS VIKBERG. bilden \u00e4r stylad med ett effektfilter. \" class=\"wp-image-3748\" width=\"757\" height=\"426\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/oscarsson2022-2-1024x576.png 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/oscarsson2022-2-300x169.png 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/oscarsson2022-2-768x432.png 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/oscarsson2022-2-1536x864.png 1536w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/oscarsson2022-2-2048x1152.png 2048w\" sizes=\"auto, (max-width: 757px) 100vw, 757px\" \/><\/a><\/figure>\n\n\n\n<h1 class=\"wp-block-heading\">23\/4 ERIK OSCARSSON\/MARTIN K\u00dcCHEN\/JOHAN BERTHLING\/MAGNUS VIKBERG<\/h1>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"23\/4 ERIK OSCARSSON\/MARTIN K\u00dcCHEN\/JOHAN BERTHLING\/MAGNUS VIKBERG\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/WuaJHYLQq5A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><em>se livestreamen av konserten ovan!<\/em><br><br>Pianisten Erik Oscarsson \u00e4r en improvisationsmusiker som utvecklats genom \u00e5ret p\u00e5 Nya Perspektivs scen. Med sig denna g\u00e5ng har han v\u00e4lrenommerade musiker som Martin K\u00fcchen, Johan Berthling och Magnus Vikberg. Eriks stil k\u00e4nnetecknas av sin kraft-kaotism, kvickhet, men ocks\u00e5 dess finurliga lyh\u00f6rdhet som g\u00f6r honom till en av de mest originella ut\u00f6varna p\u00e5 den svenska scenen. Kv\u00e4llens musik skapas i samma \u00f6gonblick som den framf\u00f6rs.<\/p>\n\n\n\n<p><strong>Erik Oscarsson<\/strong>&nbsp;\u2013 rhodes<br><strong>Martin K\u00fcchen<\/strong>&nbsp;\u2013 r\u00f6rbl\u00e5s<br><strong>Johan Berthling&nbsp;<\/strong>\u2013 kontrabas<br><strong>Magnus Vikberg<\/strong>&nbsp;\u2013 trummorhttps:\/\/www.youtube.com\/embed\/Fvj5JYNnmtM?feature=oembed<\/p>\n\n\n\n<p>Klubb 19&nbsp;serveras fr\u00e5n 19.30-22.30.<br>Lokal: Slottsgatan 19, V\u00e4ster\u00e5s.<br>Tid: Klubb ifr\u00e5n 19.30 &nbsp; artister p\u00e5 scen: 20.00.<br>Entr\u00e9: 100 kr, studerande 80 kr.<br>Entr\u00e9 f\u00f6r medlemmar: 80 kr \/ studerande 60 kr.<br>Medlemsavgift: 20kr\/\u00e5r.<br>Medlemmar som \u00e4r 18 \u00e5r eller yngre f\u00e5r alltid fri entr\u00e9!<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/youtu.be\/WuaJHYLQq5A\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/youtube-live_mint_against_black-1.png\" alt=\"youtube live link\n\" class=\"wp-image-3661\" width=\"168\" height=\"112\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/youtube-live_mint_against_black-1.png 640w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/youtube-live_mint_against_black-1-300x200.png 300w\" sizes=\"auto, (max-width: 168px) 100vw, 168px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">30\/4 ARRINGTON DE DIONYSO (US) \u2013 SENYAWA (ID)<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">20.00&nbsp;<strong>Arrington&nbsp;de&nbsp;Dionyso<\/strong>&nbsp;(US)&nbsp;<\/h2>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/1.bp.blogspot.com\/-WFK2wAwJsY8\/XUFg09MMCKI\/AAAAAAAADLU\/iljS4qP5EucZN5-8npX7i_QAMofDnMDRQCLcBGAs\/s1600\/arrington.jpg\"><img decoding=\"async\" src=\"https:\/\/1.bp.blogspot.com\/-WFK2wAwJsY8\/XUFg09MMCKI\/AAAAAAAADLU\/iljS4qP5EucZN5-8npX7i_QAMofDnMDRQCLcBGAs\/s320\/arrington.jpg\" alt=\"Portr\u00e4tt Arrington de Doinyso, Man i 30 \u00e5rs \u00e5ldern, sk\u00e4gg och designglas\u00f6gon, hawaiiskjorta. Neutral min.\"\/><\/a><\/figure>\n\n\n\n<p>&nbsp;An uncompromising voice in contemporary music,&nbsp;Arrington&nbsp;de&nbsp;Dionyso&nbsp;(b. 1975 Chicago USA) integrates ancient soundmaking techniques with trans-modernist inquiries into the nature of consciousness. His propulsive improvisations utilize kargyraa voice combined with reed instruments (primarily bass clarinet, saxophone, and his invention the Bromiophone) as multiphonic tools in the navigation of liminal spaces between shamanic seance and rock and roll ecstasy.&nbsp; While deeply rooted in the punk inclination to tear down musical standards in an effort for liberation,&nbsp;Arrington\u2019s music weds the iconoclasm of No-Wave Punk to the spiritual searching of Albert Ayler era Free Jazz along with more indigenous approaches to improvisation, reaching for an unveiling of primordially potent universalities. His compositions embrace sounds as colors, placing emphasis on the complimentary spectrums- from circular overtones whispered through bamboo flutes to the penetrating deep and guttural howls of amplified throatsinging- all with the lungs of an athlete.<br>&nbsp;&nbsp;Over the last 25 years he has founded iconic experimental rock groups such as Old Time Relijun, Malaikat dan Singa, and This Saxophone Kills Fascists. He has also performed alongside many great icons of contemporary music including collaborations with members of Deerhoof, the Master Musicians of Jajouka, Senyawa, Fugazi, and The Violent Femmes.<br>&nbsp;As a kind of \u201cpunk ethnomusicologist\u201d&nbsp;Arrington&nbsp;circumvents academic approaches in favor of building direct relationships with the musical cultures he wishes to engage with, not as an \u201canthropologist\u201d studying an \u201cexotic other\u201d but as an invited participant and active collaborator. His investigations of Jathilan trance music in Java, and collaborations with groups such as Senyawa, Karinding Attack, and HMM have brought him to the forefront of the Indonesian experimental music scene, and he has recently traveled to Morocco (Master Musicians of Jajouka) and Peru (instrument builder Dmitri Manga) to build similar connections between the indigenous and the avant garde. This August will be his first travel to the Republic of Tuva where he looks forward to collaborations with throat-singers and shamans. He will teach workshops about free improvisation and experimentation with ancient forms.<br>&nbsp;&nbsp;Whether as a band leader, solo performer, or in collaborative settings,&nbsp;Arrington\u2019s music evokes an \u201cAncient Future\u201d, sometimes shocking and hallucinatory, always aiming to channel Spirit.&nbsp;<br>links:&nbsp;Interview from&nbsp;the Quietus&nbsp;<a href=\"https:\/\/thequietus.com\/articles\/22995-this-saxophone-kills-fascists-arrington-de-dionyso-interview\">https:\/\/thequietus.com\/articles\/22995-this-saxophone-kills-fascists-arrington-de-dionyso-interview<\/a>Bandcamp:&nbsp;<a href=\"http:\/\/www.arrington.bandcamp.com\/\">www.arrington.bandcamp.com<\/a><br>Youtube channel&nbsp;<a href=\"https:\/\/www.youtube.com\/arringtondedionyso\">www.youtube.com\/arringtondedionyso<\/a><br>Arrington\u2019s invented instrument THE BROMIOPHONE&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=UwhckKENDoU&amp;t=10s\">Bromiophone (PVC Contrabass Clarinet) Alat Guntur<\/a>https:\/\/www.youtube.com\/embed\/F1rcJ2t_Is0?feature=oembedhttps:\/\/www.youtube.com\/embed\/0U5rASZnV14?feature=oembed<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Senyawa-1038x576-1.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"568\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Senyawa-1038x576-1-1024x568.png\" alt=\"Senyawa portr\u00e4tt p\u00e5 scen. Kameravinkel ifr\u00e5n grodperspektiv vinklad upp\u00e5t. Tv\u00e5 personer p\u00e5 Scen r\u00f6k bakom med scenljus och till v\u00e4nster s\u00e5ngare med knutet pannband, jeans och r\u00f6d tajt jacka med expressivt uttryck. Bredvid till h\u00f6ger musiker med traditionellt st\u00e4nginstrument men ser ut som metalgitarr i ut\u00f6vandet, Personen b\u00e4r munkjacka.\" class=\"wp-image-3753\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Senyawa-1038x576-1-1024x568.png 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Senyawa-1038x576-1-300x166.png 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Senyawa-1038x576-1-768x426.png 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Senyawa-1038x576-1-672x372.png 672w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Senyawa-1038x576-1.png 1038w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>21.00 Senyawa (IN)<\/strong><\/h2>\n\n\n\n<p>Den experimentella duon&nbsp;<strong>Senyawa<\/strong>&nbsp;best\u00e5r av s\u00e5ngaren&nbsp;<strong>Rully Shabara<\/strong>&nbsp;och instrumentalisten<strong>&nbsp;Wukir Suryadi<\/strong>. Shabaras s\u00e5ng str\u00e4cker sig fr\u00e5n black metalinfluerad growlteknik till delikat falsett. Suryadi \u00e4r instrumentbyggare och spelar egna str\u00e4nginstrument av bambu, utrustade med elgitarrmikrofoner. Han spelar ibland akustiskt, och ibland skickas ljudsignalen genom en rad effektpedaler. Han kn\u00e4pper, gnider och trummar p\u00e5 sitt egendomliga instrument och skapar p\u00e5 s\u00e5 vis alltifr\u00e5n sk\u00f6ra melodier till beats och rent noise.Senyawa kommer fr\u00e5n den ur\u00e5ldriga staden Yogyakarta i centrala Java, Indonesien. Deras musik reflekterar det traditionella musikarvet fr\u00e5n Java, filtrerat genom ett nutida experimentellt f\u00f6rh\u00e5llningss\u00e4tt.<a href=\"http:\/\/senyawa.tumblr.com\/\">http:\/\/senyawa.tumblr.com\/<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.facebook.com\/senyawaduo\"><\/a><a href=\"https:\/\/www.facebook.com\/senyawaduo\">https:\/\/www.facebook.com\/senyawaduo<\/a><br><a href=\"https:\/\/www.nytimes.com\/2021\/02\/18\/arts\/music\/senyawa-alkisah.html\">https:\/\/www.nytimes.com\/2021\/02\/18\/arts\/music\/senyawa-alkisah.html<\/a><br><br>https:\/\/www.youtube.com\/embed\/1mm0u2dQhQw?feature=oembedhttps:\/\/www.youtube.com\/embed\/IoprHfCwd10?feature=oembed<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Mary-Lattimore.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"532\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Mary-Lattimore-1024x532.jpg\" alt=\"Portr\u00e4tt Mary Lattimore vid harpa ute i \u00f6kenlandskap i USA.\" class=\"wp-image-3733\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Mary-Lattimore-1024x532.jpg 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Mary-Lattimore-300x156.jpg 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Mary-Lattimore-768x399.jpg 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Mary-Lattimore.jpg 1244w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">ONSDAG 4\/5 MARY LATTIMORE (US)<\/h2>\n\n\n\n<p>Mary Lattimore \u00e4r en Los Angeles-baserad musiker som anv\u00e4nder sin Lyon och Healy-konsertharpa f\u00f6r att trolla fram vackert abstrakta former som framkallar minnen, landskap och k\u00e4nslor.<\/p>\n\n\n\n<p>Genom en bredd av inspelningar, samarbeten och konstn\u00e4rliga uppdrag utforskar hon genom sin musik en v\u00e4rld av ordl\u00f6sa ber\u00e4ttelser. Med hj\u00e4lp av effekter och enstaka s\u00e5nginsatser, l\u00e5ter hon sina harpimprovisationer f\u00f6rvandlas till spektrala s\u00e5ngformer. I liveupptr\u00e4dande avsl\u00f6jar hon den impressionistiska magin boende i hennes instrument n\u00e4r hon blandar klassisk teknik och ambient elektronik med f\u00e4ngslande resultat.<\/p>\n\n\n\n<p>\u00c5r 2018 sl\u00e4ppte Mary Hundreds of Days, hennes andra LP p\u00e5 Ghostly International, samt ett samarbetsalbum med Meg Baird som hette Ghost Forests (Three Lobed). Hon kommit l\u00e5ngt sedan sina klassiska studier vid Eastman School of Music, via en tid i Philadelphia med bl a Espers och Fursaxa och perioder av ljudskapande tillsammans med Steve Gunn, Sharon van Etten och Kurt Vile. Hon samarbetade ocks\u00e5 med gitarristen \/ synth-spelaren Jeff Zeigler p\u00e5 deras album album Slant of Light (Thrill Jockey) fr\u00e5n 2014, samt komponerade ett livearrangemang f\u00f6r Philippe Garrels experimentella stumfilm Le Revelateur fr\u00e5n 1968, som de sedan turnerade tillsammans med.<\/p>\n\n\n\n<p>\u201cI en serie med alltmer fascinerande samarbetsalbum s\u00e5v\u00e4l som skivor under hennes eget namn har hon l\u00e4rt sig att m\u00e5la landskap och uttrycka komplexa k\u00e4nslor utan ett ord \u2026 p\u00e5 ganska kort tid har Lattimore blivit en av landets mest \u00f6vertygande solister.\u201d \u2013 NPR<\/p>\n\n\n\n<p>\u201cDenna innovat\u00f6r p\u00e5 harpan experimenterar med en arsenal av nya instrument \u2013 inklusive sin r\u00f6st \u2013 p\u00e5 ett album med ambientmusik, lika komplex och meditativ som Pauline Oliveros verk\u201d \u2013 Pitchfork<\/p>\n\n\n\n<p><strong>Mary Lattimore<\/strong>&nbsp;\u2013 harpahttps:\/\/www.youtube.com\/embed\/FJopakOY0Ms?feature=oembedhttps:\/\/www.youtube.com\/embed\/7gF3v4CuiOo?feature=oembed<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">2\/7 FESTIVALEN I FESTIVALEN (CITYFESTIVAL)<\/h1>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/wikberg-williamsson-barno.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"601\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/wikberg-williamsson-barno-1024x601.jpg\" alt=\"ett kollageportr\u00e4tt: Magnus Vikberg. Joe Williamson. Niklas Barn\u00f6. svartvitt.\" class=\"wp-image-3773\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/wikberg-williamsson-barno-1024x601.jpg 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/wikberg-williamsson-barno-300x176.jpg 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/wikberg-williamsson-barno-768x451.jpg 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/wikberg-williamsson-barno.jpg 1087w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>19.00 Magnus Vikberg\/Joe Williamson\/Niklas Barn\u00f6<\/strong><\/h2>\n\n\n\n<p>Tre v\u00e4lrenommerade improvisationsmusiker skapar en t\u00e4t och spontan utg\u00e5ngspunkt f\u00f6r att bygga ett fritt improviserat set.<\/p>\n\n\n\n<p><strong>Magnus Vikberg<\/strong>&nbsp;\u2013 trummor<br><strong>Joe Williamson<\/strong>&nbsp;\u2013 kontrabas<br><strong>Niklas Barn\u00f6<\/strong>&nbsp;\u2013 trumpet<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/ekolali-0009194954_10-small.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"656\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/ekolali-0009194954_10-small.jpg\" alt=\"Portr\u00e4tt: Ekolali med en massa synthar och kassetmands loop maskin.\" class=\"wp-image-3779\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/ekolali-0009194954_10-small.jpg 900w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/ekolali-0009194954_10-small-300x219.jpg 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/ekolali-0009194954_10-small-768x560.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>20.00<\/strong>&nbsp;<strong>Ekolali<\/strong><\/h2>\n\n\n\n<p>Ekolali (fr\u00e5n nylatinets echolalia, av grekiskans \u1f20\u03c7\u03ce, \u201cupprepa\u201d, och \u03bb\u03b1\u03bb\u03b9\u03ac, \u201ctal\u201d) \u00e4r en typ av ekosymtom d\u00e4r en person upprepar en annan persons tal. Den analoga utforskaren Ekolali (aka Mattias Lagerkvist) ger en resa i ekodalens territorium och med olika texturer bygger han upp dr\u00f6mska ljudlandskap som varmt sv\u00e4var \u00f6ver stadens nattsv\u00e4rmare.<\/p>\n\n\n\n<p><strong>Ekolali<\/strong>&nbsp;\u2013 elektronikhttps:\/\/w.soundcloud.com\/player\/?visual=true&amp;url=https%3A%2F%2Fapi.soundcloud.com%2Fusers%2F5058239&amp;show_artwork=true&amp;maxheight=711&amp;maxwidth=474<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/eriksson-reuter1A.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/eriksson-reuter1A-1024x576.jpg\" alt=\"Stillbild ifr\u00e5n kortfilm med av alla Ericsson\/Reuters interventioner via videomediet.\" class=\"wp-image-3775\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/eriksson-reuter1A-1024x576.jpg 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/eriksson-reuter1A-300x169.jpg 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/eriksson-reuter1A-768x432.jpg 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/eriksson-reuter1A-1536x864.jpg 1536w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/eriksson-reuter1A.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>21.00 Ericsson\/Reuter<\/strong><\/h2>\n\n\n\n<p>Vi har \u00e4ran att presentera tv\u00e5 geniala konstn\u00e4rer som integrerar musik, skulptur, performance och poesi i en och samma helhet. F\u00f6r v\u00e4ster\u00e5skonstn\u00e4ren Mikael Reuter \u00e4r det ett k\u00e4rt \u00e5terbes\u00f6k till sitt gamla atelj\u00e9kollektiv och med sig kommer konstn\u00e4ren Mikael Ericsson. Samarbetet mellan dessa multitalanger str\u00e4cker sig \u00f6ver flera decenier. Visst minns du TV-f\u00fcr-Alle?? Ericsson var med och skapade dessa innovativa medieutforskande ljusglimtar ifr\u00e5n tiden d\u00e5 TV var fortfarande sp\u00e4nnande och v\u00e5gat. Under de senaste \u00e5ren har denna duo utvecklat ett uttryck som drabbar!<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"WILD AI\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/VMd9u0y4TRc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/eliane-radigue-e1656507209274.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"741\" height=\"595\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/eliane-radigue-e1656507209274.jpg\" alt=\"\u00c9LIANE RADIGUE portrait\" class=\"wp-image-3793\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/eliane-radigue-e1656507209274.jpg 741w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/eliane-radigue-e1656507209274-300x241.jpg 300w\" sizes=\"auto, (max-width: 741px) 100vw, 741px\" \/><\/a><\/figure>\n\n\n\n<h1 class=\"wp-block-heading\">15\/8 12.00 \u00c9LIANE RADIGUE \u2014 OCCAM HEXA IV \u2013 DOMKYRKAN V\u00c4STER\u00c5S \u2013 LUNCHKONSERT<\/h1>\n\n\n\n<p>\u00c9liane Radigue is one of the last centuries\u2019 most important living composers. Having produced an extraordinary and extraordinarily influential body of electronic music between the 1960s up until 2002 (despite very little public acclaim or recognition during most of this period), she then turned to composing for and with musicians and acoustic instruments. In doing so, she has created a further body of music that draws on the sonority of her earlier work whilst extending it into new realms using a very particular methodology of oral transmission that allows for exchange \u2018heart-to-heart\u2019.Occam Hexa IV is a new work for quintet commissioned by the Edition Festival for Other Music.<\/p>\n\n\n\n<p>It is performed by:<br><strong>Silvia Tarozzi<\/strong> (violin)<br><strong>Julia Eckhardt<\/strong> (viola)<br><strong>Deborah Walker<\/strong> (cello)<br><strong>Nate Wooley<\/strong> (trumpet)<br><strong>Enrico Malatesta<\/strong> (percussion)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Occam Hexa, Eliane Radigue, 5th Edition Festival, Fylkingen, Stockholm 2022\/08\/13 (Extract 3)\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/-GeN7MrPJh0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Presented by Nya Perspektiv in collaboration with Ideell Edition.<\/p>\n\n\n\n<p>Occam Hexa IV commission made possible with support from Kulturr\u00e5det, The Swedish Arts Council.<\/p>\n\n\n\n<p>Plats: V\u00e4ster\u00e5s Domkyrka<\/p>\n\n\n\n<p><em>Fri Entre!<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h1 class=\"wp-block-heading\">17\/9 KULTURNATT MED FARIDA AMADOU (BEL) \u2013 BAHK (GRB) \u2013 MONOPUNK SWE<\/h1>\n\n\n\n<p><a href=\"https:\/\/www.nyaperspektiv.se\/news\/?p=3812\"><time datetime=\"2022-08-29T17:49:01+02:00\">AUGUST 29, 2022<\/time><\/a><a href=\"https:\/\/www.nyaperspektiv.se\/news\/?author=1\">ADMIN<\/a><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-admin\/post.php?post=3812&amp;action=edit\">EDIT<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/farida_amadou_10_large-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/farida_amadou_10_large-1024x683.jpg\" alt=\"Portrait: Farida Amadou with her Bass. And AMPEG-amplifier in the background.\" class=\"wp-image-3822\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/farida_amadou_10_large-1024x683.jpg 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/farida_amadou_10_large-300x200.jpg 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/farida_amadou_10_large-768x512.jpg 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/farida_amadou_10_large-1536x1024.jpg 1536w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/farida_amadou_10_large-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">20.00 Farida Amadou (BEL)<\/h2>\n\n\n\n<p>Farida Amadou (b.1989) is a self taught bass player based in Li\u00e8ge, Belgium. The electric bass is her main instrument since 2011. In 2013, she has started to play a lot of different musical genres, including blues, jazz and hip-hop. Soon Farida started to dive into improvisation music, and got rapidly identified by local collectif and musicians.<br>After a year (2017) as bass player in belgian punk band Cocaine Piss, Farida decided to focus on her solo improvisation practice and collaborations with musicians like Steve Noble, Thurston Moore, Peter Br\u00f6tzmann, Floris Vanhoof, Julien Desprez among other occasional featuring such as Mette Rasmussen, Linda Sharrock, Chris Pitsiokos, Eve Risser, Alex Ward, Jerusalem in My Heart,\u2026https:\/\/www.youtube.com\/embed\/PaUkfKHG3Bo?feature=oembedhttps:\/\/www.youtube.com\/embed\/ohfGGxZKrM0?feature=oembed<\/p>\n\n\n\n<p>[Listen] Farida Amadou at&nbsp;<a href=\"https:\/\/farida-amadou.bandcamp.com\/music\">Bandcamp<\/a><\/p>\n\n\n\n<p>[Read]&nbsp;<a href=\"https:\/\/www.thewire.co.uk\/audio\/btr\/below-the-radar-35\/1\">Farida Amadou at WIRE magasine (UK)<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/BAHK2.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"744\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/BAHK2-1024x744.png\" alt=\"Portr\u00e4tt: BAHK (Elvin Brandhi\/Daniel Blumberg) hoppandes pp\u00e5 en bensinstation. Bilden skapar ett energisk och galet kaotiskt uttryck.\" class=\"wp-image-3838\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/BAHK2-1024x744.png 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/BAHK2-300x218.png 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/BAHK2-768x558.png 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/BAHK2.png 1057w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">ca 22.00 BAHK (Elvin Brandhi\/Daniel Blumberg) (GRB)<\/h2>\n\n\n\n<p>BAHK (Daniel Blumberg &amp; Elvin Brandhi)<\/p>\n\n\n\n<p>Bahk is an interdisciplinary art group consisting of Daniel Blumberg<br>and Elvin Brandhi. For the last 3 years they have been developing an<br>archive of collaborative work across sound, visual art and video.<\/p>\n\n\n\n<p>Links<br><a href=\"http:\/\/bahk.xyz\/\">http:\/\/bahk.xyz\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"BAHK, \u2018Alternatives to Identity for a Future Society beyond Head Infected Bodies\u2019 (2021).\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/ljF1Dfupc0A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>https:\/\/youtube.com\/watch?v=ljF1Dfupc0A%3Ffeature%3Doembed<\/p>\n\n\n\n<p><iframe loading=\"lazy\" title=\"SILVER DINNER: DELIVERY - BAHK (Daniel Blumberg &amp; Elvin Brandhi)\" src=\"https:\/\/player.vimeo.com\/video\/446418365?dnt=1&amp;app_id=122963\" width=\"474\" height=\"267\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/monopunk-mpswe3-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"717\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/monopunk-mpswe3-1024x717.jpg\" alt=\"portr\u00e4tt Monopunk p\u00e5 scen.\n\" class=\"wp-image-3846\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/monopunk-mpswe3-1024x717.jpg 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/monopunk-mpswe3-300x210.jpg 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/monopunk-mpswe3-768x538.jpg 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/monopunk-mpswe3-1536x1076.jpg 1536w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/monopunk-mpswe3-2048x1435.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">ca 23.00 Monopunk SWE<\/h2>\n\n\n\n<p>Dualismen \u00e4r en kraftfull motor f\u00f6r Monopunk SWE. I musiken m\u00f6ts instrumentala, monotona ambientstrukturer och l\u00e5gintensivt poetiska texter p\u00e5 nutidssvenska. Tillsammans och enskilt. Svart och vitt. Erfarenhet och naivitet. Tungt och l\u00e4tt. M\u00e4nniska och maskin. Intellekt och instinkt. Ett sammanv\u00e4vt ljudlandskap av improvisation kring en h\u00e5rd k\u00e4rna.<\/p>\n\n\n\n<p><a href=\"https:\/\/ambientpunkrecords.wixsite.com\/monopunkswe\">https:\/\/ambientpunkrecords.wixsite.com\/monopunkswe<\/a><\/p>\n\n\n\n<p>Klubb 19&nbsp;serveras fr\u00e5n 19.30-23.30.<br>Lokal: Slottsgatan 19, V\u00e4ster\u00e5s.<br>Tid: Klubb ifr\u00e5n 19.30 &nbsp; f\u00f6rsta artister p\u00e5 scen: 20.00<br>Fri Entr\u00e9!<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Tillg\u00e4nglighet<\/h4>\n\n\n\n<p>Se info om tillg\u00e4nglighet f\u00f6r v\u00e5ra olika konsertlokaler p\u00e5 denna sida:https:\/\/www.nyaperspektiv.se\/news\/?page_id=1105&amp;embed=true#?secret=mDNRYEdk21#?secret=Y6WYxl4mqW<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2\/4 ELSA BERGMAN\/FINN LOXBO\/RYAN PACKARD notera att ljudet \u00e4r avst\u00e4ngt pga tekniskt fel i b\u00f6rjan p\u00e5 streamingenl\u00e4nken ovan \u00e4r satt till n\u00e4r ljudet b\u00f6rjar. en version med korret ljud kommer att l\u00e4ggas snart! Vi har n\u00f6jet att presentera en kraftfull portion av unga musiker som representerar n\u00e4sta generation av improvisationsmusik. Med fullt av energi och &hellip; <a href=\"https:\/\/www.nyaperspektiv.se\/news\/?page_id=3843\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">V\u00e5r 2022<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4455,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3843","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/3843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3843"}],"version-history":[{"count":9,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/3843\/revisions"}],"predecessor-version":[{"id":3926,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/3843\/revisions\/3926"}],"up":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/4455"}],"wp:attachment":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}