{"id":3699,"date":"2022-03-07T11:06:18","date_gmt":"2022-03-07T10:06:18","guid":{"rendered":"https:\/\/www.nyaperspektiv.se\/news\/?page_id=3699"},"modified":"2024-08-28T11:42:33","modified_gmt":"2024-08-28T09:42:33","slug":"host-2021","status":"publish","type":"page","link":"https:\/\/www.nyaperspektiv.se\/news\/?page_id=3699","title":{"rendered":"H\u00f6st 2021"},"content":{"rendered":"\n

18\/9 Kulturnatt p\u00e5 Nya Perspektiv<\/h4>\n\n\n\n

livestreaming h\u00e4r: https:\/\/youtu.be\/nyiZKJD7nEo<\/a>
fri entr\u00e9<\/p>\n\n\n\n

bes\u00f6kare till lokalen till slottsgatan 19, beh\u00f6ver f\u00f6ranm\u00e4la sig till: rvsp@nyaperspektiv.se, vi har f\u00e5 anvisade sittplatser pga denna kv\u00e4ll pga omst\u00e4ndigheterna. Vi h\u00e4nvisar fr\u00e4mst till livestreamingen. (bes\u00f6kare till lokal kommer inte att f\u00e5 se helheten d\u00e5 vi kommer att ha en bluescreen bakom artisterna). <\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

18.00 V\u00e4ster\u00e5s Improvisationsteater<\/strong><\/h4>\n\n\n\n

Improvisationsteater sker i stunden. Allt skapas av impulser i sk\u00e5despelarnas hj\u00e4rnor. Alla repliker, kroppsspr\u00e5ket, karakt\u00e4rerna och samarbetet g\u00f6rs p\u00e5 uppstuds utan att t\u00e4nka, rent instinktivt. Det \u00e4r dessa \u00f6gonblick som g\u00f6r improvisationsteater s\u00e5 of\u00f6rs\u00e4gbart och underh\u00e5llande. Vi tar emot interaktion via livechat i youtube!<\/em>
https:\/\/vimpro.se\/<\/a><\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

19.20 CCHE<\/strong><\/h4>\n\n\n\n

Monoton improvisation med trummor och elbas \u00f6ver ringlande synthmattor med doft av Tallinn. Under kv\u00e4llen framf\u00f6rs n\u00e5gra stycken som blir till i stunden.
Curt \u00d6stlund<\/strong> \u2013 synthar
Christ Rispling<\/strong> \u2013 trummor
Helena \u00d6stlund<\/strong> \u2013 elbas
Erik Binbach<\/strong> \u2013 elgitarr<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

20:40 Sonja Tofik<\/strong><\/h4>\n\n\n\n

Tofiks v\u00e4rld skapar en emergens av m\u00f6rk neo-folk, synthdroner och orglar som sv\u00e4var in i melakolisk minimalistiska kompositioner.
Albumet Anomi sl\u00e4pptes i slutet p\u00e5 oktober 2020, d\u00e5 pandemien rusade i v\u00e4rlden.<\/p>\n\n\n\n

Anomi is the Swedish word for the sociological term anomie<\/em>, first coined by french sociologist \u00c9mile Durkheim in 1893. Described as \u2018the condition in which society provides little moral guidance to individuals\u2019, he suggested that for societies to function and their individuals to prosper, they need to be driven by strong and distinct norms, both social and moral. If absent, individuals are exposed to anomie, and start to inhibit self-destructive behavior. Anomie is a state of suffering, an absence of affinity, both to the individual and to society\u2014which creates dissonance in the human experience. It denies us the presence of death and disconnects humanity from its nature and inherent mysticism.
https:\/\/cargocollective.com\/sonjatofik<\/a><\/p><\/blockquote>\n\n\n\n

Ambient goth? Dungeon synth? Graveyard chic? Anomi begins with cawing crows! Genre-based semantics aside, Anomi is a magical album that is certainly at the darker end of the experimental spectrum.<\/em> freersounds<\/a><\/p>

https:\/\/w.soundcloud.com\/player\/?visual=true&url=https%3A%2F%2Fapi.soundcloud.com%2Fusers%2F69020859&show_artwork=true&maxheight=711&maxwidth=474<\/p><\/blockquote>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

22:00 Analog Dream Plant<\/strong><\/p>\n\n\n\n

F\u00f6r 51 \u00e5r sedan spelade Morton Subotnik elektronmusik i Folkets Hus A-sal. Med sig hade han en Buchla, den f\u00f6rsta synt som skapats. Ljuden spelade han upp i fyra h\u00f6gtalare, en i varje h\u00f6rn av rummet.
Musiken framf\u00f6rs p\u00e5 en Buchla, samma typ av instrument som Morton Subotnik hade p\u00e5 sin sverigeturn\u00e9. Det \u00e4r s\u00e4llan det h\u00f6rs live, det finns bara fem instrument i Sverige, varav tv\u00e5 p\u00e5 musikh\u00f6gskolor och en tredje p\u00e5 Elektronmusikstudion EMS.<\/p>\n\n\n\n

Analogue Dream Plant\/Per Wikstr\u00f6m<\/strong> \u2013 Buchla.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

23:20 Monopunk SWE<\/strong><\/p>\n\n\n\n

Synth och gitarr skapar grunden i det ljudlandskap som Monopunk SWE botaniserar. En urban milj\u00f6 med m\u00e4nskliga m\u00f6ten i bakgator, tunnelbanestationer och sena repkv\u00e4llar.<\/p>\n\n\n\n

Johnny Pousette<\/strong>: s\u00e5ng, gitarr m.m.
Man Rave<\/strong>: synth mm.<\/p>\n\n\n\n

https:\/\/ambientpunkrecords.wixsite.com\/monopunkswe<\/a>https:\/\/w.soundcloud.com\/player\/?visual=true&url=https%3A%2F%2Fapi.soundcloud.com%2Fusers%2F135089372&show_artwork=true&maxheight=711&maxwidth=474<\/p>\n\n\n\n

\"Henrik<\/a>
Henrik Munkeby N\u00f8rsteb\u00f8 \/ Raymond Strid \/ Nina de Heney live p\u00e5 Nya Perspektiv 25\/9 2021<\/figcaption><\/figure>\n\n\n\n

25\/9 Henrik Munkeby N\u00f8rsteb\u00f8<\/strong> \/ Raymond Strid<\/strong> \/ Nina de Heney<\/strong>.<\/h2>\n\n\n\n

Den norska trombonisten Henrik Munkeby N\u00f8rsteb\u00f8<\/strong> har under de senaste \u00e5ren delat scener med ett stort antal inflytelserika improvisat\u00f6rer. Ett av hans \u00e5terkommande projekt har varit trion med den svenska trumslagaren Raymond Strid<\/strong> och kontrabassisten Nina de Heney<\/strong>. Sedan 2011 som trion har funnits har musiken st\u00e4ndigt utvecklats i gruppen. Musiken r\u00f6r sig st\u00e4ndigt naturligt fram\u00e5t mellan sp\u00e4nning och frig\u00f6ring samt mellan nolltillst\u00e5nd och musikaliska explosioner.<\/p>\n\n\n\n

Henrik Munkeby N\u00f8rsteb\u00f8<\/strong> \u2013 trombon
Nina de Heney<\/strong> \u2013 kontrabas
Raymond Strid<\/strong> \u2013 trummor<\/p>\n\n\n\n

\nhttps:\/\/youtube.com\/watch?v=WC_6–kvtPI%3Ffeature%3Doembed\n<\/div><\/figure>\n\n\n\n
\"\"<\/a>
A Forest live p\u00e5 Nya Perspektiv 23\/10 2021<\/figcaption><\/figure>\n\n\n\n

23\/10 A Forest<\/h2>\n\n\n\n

A Forest \u00e4r inga nykomlingar. Bandets medlemmar har l\u00e5nga karri\u00e4rer bakom sig, b\u00e5de som soloartister och musiker i etablerade akter p\u00e5 den svenska och internationella musikscenen. F\u00f6rutom solokarri\u00e4rer s\u00e5 har medlemmarna h\u00f6rts med namn som Sonic Youth, \u00c4nglaspel och Militanta Jazzmusiker, Bohusl\u00e4n Big Band, Lena Willemark. I maj 2018 \u00e4ntrade bandet Studio Eternal Darkness d\u00e4r de spelade in sina favoritl\u00e5tar. Med sitt egna, r\u00e5a sound tolkar A Forest h\u00e4mningsl\u00f6st andra artisters musik och s\u00e4tter sin egen pr\u00e4gel p\u00e5 materialet med sitt samspel och uttryck.<\/p>\n\n\n\n

Maria Eivi \u2013 <\/strong>s\u00e5ng
Thomas Gunillasson<\/strong> \u2013 gitarr
Johan Bj\u00f6rklund<\/strong> \u2013 trummorhttps:\/\/w.soundcloud.com\/player\/?visual=true&url=https%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F610962597&show_artwork=true&maxheight=711&maxwidth=474<\/p>\n\n\n\n

\"Quasar<\/a>
Quasar (CAN ) och Stockholms saxofonkvartett i H\u00f6rsalen KRLSG2 V\u00e4ster\u00e5s, 29\/10 2021<\/figcaption><\/figure>\n\n\n\n

29\/10 Quasar\/SSQ\u2013 Lunchkonsert \u2013 H\u00f6rsalen Krlsg2<\/h2>\n\n\n\n

Konsertplats: H\u00f6rsalen, KRLSG 2, Karlsgatan, V\u00e4ster\u00e5s<\/strong>
Tid: 13.00<\/strong>
Fri Entr\u00e9<\/em><\/p>\n\n\n\n

Known for their energy and bold innovation, the four members of Quasar<\/strong> have been exploring the innumerable facets of musical creation since the group\u2019s founding in 1994. The group\u2019s ventures include instrumental music, improvisation, and electronics. Alone or accompanied by a symphony orchestra, acoustic or plugged, Quasar offers its audience a unique and deeply original programming.<\/p>\n\n\n\n

The ensemble has won 6 OPUS awards awarded by the Conseil qu\u00e9b\u00e9cois de la musique , including the \u201cArtist of the Year\u201d prize. Quasar presents a series of concerts in Montreal while performing extensively across Canada, Mexico, the United States and Europe. It has been invited by international festivals such as : Busan Maru (Korea), Ars Musica (Brussels), SALT Festival (Victoria), Tonlagen (Dresden).<\/p>\n\n\n\n

A real driving force of creative music, the quartet works closely with composers favouring research, experimentation and the emergence of new ideas.<\/p>\n\n\n\n

Quasar aims to contribute to the enrichment of our musical heritage and to provide a platform for new music experimentation, exploration and production. The quartet has proudly commissioned over 150 works over the course of its twenty years of activity. During that time, it has performed as a solo group with, among others, the Montreal Symphony Orchestra, the Winnipeg Symphony Orchestra and the Hanzhou Philharmonic Orchestra.<\/p>\n\n\n\n

Quasar, in addition to being very involved in the creation of new works, also presents a very diversified repertoire ranging from classical music to jazz, allowing the group to fully demonstrate the saxophone\u2019s multiple facets. These concerts provide a stimulating and most interesting way of reaching out to the public.<\/p>\n\n\n\n

Quasar is a member of Le Vivier , a grouping of ensembles and organizations working in new music , with a goal to establish a venue for creation, exchange and training in the heart of Montreal.<\/p>\n\n\n\n

Marie-Chantal Leclair<\/strong> \u2013 Soprano saxophone<\/p>\n\n\n\n

Mathieu Leclair<\/strong> \u2013 Alto saxophone<\/p>\n\n\n\n

Andr\u00e9 Leroux<\/strong> \u2013 Tenor saxophone<\/p>\n\n\n\n

Jean-Marc Bouchard \u2013 <\/strong>Barytone saxophone<\/p>\n\n\n\n

\nhttps:\/\/quasar4.com\/en\n<\/div><\/figure>\n\n\n\n

Stockholms Saxofonkvartett<\/strong> bildades 1969 av Sven Westerberg. Nuvarande bes\u00e4ttning best\u00e5r av; Linn Persson, Leif Karlborg, J\u00f6rgen Pettersson och Mathias Karlsen Bj\u00f6rnstad. Kvartetten har specialiserat sig p\u00e5 svensk och utl\u00e4ndsk kammarmusik f\u00f6r saxofoner samt avancerad elektroakustisk musik \u2013 kvartetten har f\u00e5tt sig tillskrivet mer \u00e4n 700 verk.<\/p>\n\n\n\n

En r\u00f6d tr\u00e5d i deras verksamhet \u00e4r ett n\u00e4ra samarbete med svenska och utl\u00e4ndska tons\u00e4ttare, liksom blivande komposit\u00f6rer, framf\u00f6r allt vid Kungliga Musikh\u00f6gskolan i Stockholm. Kvartetten h\u00e5ller seminarier, deltar i konserter och samarbetar med konstn\u00e4rer i andra genrer \u00e4n den egna.<\/p>\n\n\n\n

Deras s\u00e4tt att arbeta har snabbt utvecklat deras stil och skicklighet och de tillh\u00f6r v\u00e5ra absolut fr\u00e4msta interpreter p\u00e5 sitt mycket omfattande omr\u00e5de. Stockholms Saxofonkvartett drivs av en ob\u00e4ndig lust att st\u00e4ndigt utforska och spr\u00e4nga gr\u00e4nserna f\u00f6r vad som s\u00e4gs vara konstn\u00e4rligt m\u00f6jligt att \u00e5stadkomma. De framtr\u00e4der ofta p\u00e5 internationella festivaler samt i opera- och konserthus. Deras f\u00f6rm\u00e5ga att v\u00e4cka intresse f\u00f6r nutida musik kommer kontinuerligt allt fler tillgodo.<\/p>\n\n\n\n

Kvartetten har stor resvana \u2013 de har turnerat runt om i Europa (t. ex. Baltikum, Frankrike, Tyskland, Italien, Ungern, Grekland, Polen, Bosnien, Serbien, Kosovo, Rum\u00e4nien, Ryssland, Georgien, Ukraina) och de har framtr\u00e4tt i Iran, Bolivia, USA, Turkiet, Egypten, Israel, Sydafrika, Japan, Kina och Mongoliet.<\/p>\n\n\n\n

Stockholms Saxofonkvartett sprider svensk musik i utlandet och tar med sig nya musikaliska erfarenheter och upplevelser hem till den svenska publiken.<\/p>\n\n\n\n

Sedan 2016 arrangerar Stockholms Saxofonkvartett och Studio 53 festivalen Svensk Musikv\u00e5r vilken under en vecka presenterar svensk konstmusik p\u00e5 Stockholms fr\u00e4msta kulturscener. Festivalen har blivit ett unikt manifest f\u00f6r samtida musik och st\u00f6ds av Sveriges st\u00f6rsta kulturinstitutioner.<\/p>\n\n\n\n

Mathias Karlsen Bj\u00f6rnstad<\/strong>
sopransaxofon<\/p>\n\n\n\n

J\u00f6rgen Pettersson<\/strong>
altsaxofon<\/p>\n\n\n\n

Leif Karlborg<\/strong>
tenorsaxofon<\/p>\n\n\n\n

Linn Persson<\/strong>
baritonsaxofon<\/p>\n\n\n\n

\u00c1 la d\u00e9rive (2019) \u2013 Simon Bertrand<\/strong> (CA)
pour octuor de saxophones<\/p>\n\n\n\n

Swirls and Shades (2019) \u2013 Jenny Hettne<\/strong> (SE)
f\u00f6r saxofonoktett<\/p>\n\n\n\n

Seokgamoni Bul (2018) \u2013 Alexandre David<\/strong> (CA)
pour octuor de saxophones<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

10\/11 Abigail Toll \u2013 Monokultur (obs! onsdag)<\/h2>\n\n\n\n

19.00 Abigail Toll<\/strong> (GRB)<\/p>\n\n\n\n

Abigail Toll<\/strong> is an English experimental music artist who also performs under the moniker Ionian Death Robes. Her multidimensional soundscapes combine electronics and acoustic instruments, primarily flutes, that oscillate between heavy washes of drone, aural entanglements and psychoacoustic sensations. She has framed this method with artistic sonification to envision the dismantlement of power systems. She completed a Masters in Electroacoustic Composition from the Royal College of Music in Stockholm in 2021 and received mentorship from Caterina Barbieri during her Amplify Berlin Residency in 2018.<\/p>\n\n\n\n

Abigail Toll<\/strong> (GRB) \u2013 electronics<\/p>\n\n\n\n

https:\/\/abigailtoll.bandcamp.com\/releases<\/a>https:\/\/w.soundcloud.com\/player\/?visual=true&url=https%3A%2F%2Fapi.soundcloud.com%2Fusers%2F280261913&show_artwork=true&maxheight=711&maxwidth=474<\/p>\n\n\n\n

ca 20.00 Monokultur<\/strong><\/p>\n\n\n\n

Det g\u00f6teborgsbaserade undergroundprojektet Monokultur best\u00e5r av Julius Pierstorff och Elin Engstr\u00f6m. Med post-punkiga undertoner och poetiskt och medvetet monotona vardagsdramer fullt av liv och alternativt spr\u00e4ngstoff f\u00f6r nyhetssedlarna.<\/p>\n\n\n\n

Elin + JJulius = Monokultur!<\/p>\n\n\n\n

 What, for me, positions this above their still-great first album, is nothing more complex than the benefit of time. Those early recordings were as blunt and unrefined as they were a compelling reimagining of their influences, but on Ormens V\u00e4g, Monokultur have crystallised into something beyond their sharp reference points. Yes, the songs are better recorded, the compositions more defined. But that\u2019s not quite it\u2026 More so than the music itself, what Monokultur mostly share with those cited 4AD acts is that ability to construct a world around themselves, to understand the value in the cult and occulted, the latter helped hugely by their insistence on singing mostly in the mysterious harsh tones of their native language (and perhaps this music lands differently with non-Swedish speakers?). Make no mistake, Ormens V\u00e4g is world-making of the highest grade. The last few years have often had me wondering if Gothenburg is the centre of the universe. Here\u2019s another reason why\u2026Best of the year so soon?\u201d <\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

18\/9 Kulturnatt p\u00e5 Nya Perspektiv livestreaming h\u00e4r: https:\/\/youtu.be\/nyiZKJD7nEofri entr\u00e9 bes\u00f6kare till lokalen till slottsgatan 19, beh\u00f6ver f\u00f6ranm\u00e4la sig till: rvsp@nyaperspektiv.se, vi har f\u00e5 anvisade sittplatser pga denna kv\u00e4ll pga omst\u00e4ndigheterna. Vi h\u00e4nvisar fr\u00e4mst till livestreamingen. (bes\u00f6kare till lokal kommer inte att f\u00e5 se helheten d\u00e5 vi kommer att ha en bluescreen bakom artisterna).  18.00 V\u00e4ster\u00e5s Improvisationsteater Improvisationsteater … Continue reading H\u00f6st 2021<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3250,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3699","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/3699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3699"}],"version-history":[{"count":1,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/3699\/revisions"}],"predecessor-version":[{"id":3700,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/3699\/revisions\/3700"}],"up":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/3250"}],"wp:attachment":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

https:\/\/stockholmsax.com\/<\/a>https:\/\/www.youtube.com\/embed\/VbqdudYB2jE?feature=oembedhttps:\/\/www.youtube.com\/embed\/yelZq-ZXHNU?feature=oembed<\/p>\n\n\n\n