{"id":3407,"date":"2020-08-28T21:05:46","date_gmt":"2020-08-28T19:05:46","guid":{"rendered":"http:\/\/www.nyaperspektiv.se\/news\/?page_id=3407"},"modified":"2023-01-27T10:36:49","modified_gmt":"2023-01-27T09:36:49","slug":"corona-var-2020","status":"publish","type":"page","link":"https:\/\/www.nyaperspektiv.se\/news\/?page_id=3407","title":{"rendered":"V\u00e5r 2020"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">21\/3 Henrik Munkeby N\u00f8rsteb\u00f8\/Nina de Heney\/Raymond Strid <span style=\"color:#993013\" class=\"has-inline-color\">INST\u00c4LLT!<\/span><\/h4>\n\n\n\n<p>Den norska trombonisten <strong>Henrik Munkeby N\u00f8rsteb\u00f8<\/strong> har under de senaste \u00e5ren delat scener med ett stort antal inflytelserika improvisat\u00f6rer. Ett av hans \u00e5terkommande projekt har varit trion med den svenska trumslagaren <strong>Raymond Strid<\/strong> och kontrabassisten <strong>Nina de Heney<\/strong>. Sedan 2011 som trion har funnits har musiken st\u00e4ndigt utvecklats i gruppen. Musiken r\u00f6r sig st\u00e4ndigt naturligt fram\u00e5t mellan&nbsp;sp\u00e4nning och frig\u00f6ring samt mellan nolltillst\u00e5nd och musikaliska explosioner.<\/p>\n\n\n\n<p><strong>Henrik Munkeby N\u00f8rsteb\u00f8<\/strong> &#8211; trombon<br><strong>Nina de Heney<\/strong> &#8211; kontrabas<br><strong>Raymond Strid<\/strong> &#8211; trummor<\/p>\n\n\n\n<p><a href=\"http:\/\/www.henriknorstebo.com\/nsdh\">http:\/\/www.henriknorstebo.com\/nsdh<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"N\u00f8rsteb\u00f8\/Strid\/de Heney &quot;Oslo 1&quot; from OSLO WIEN by Henrik Munkeby N\u00f8rsteb\u00f8\" width=\"474\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F195447588&#038;show_artwork=true&#038;maxheight=711&#038;maxwidth=474\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Raymond Strid (dr), Nina de Heney (b), Henrik Munkeby N\u00f8rsteb\u00f8 (trb.)\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/WC_6--kvtPI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">4\/4 ANALOGUE DREAM PLANT (PER WIKSTR\u00d6M) <span style=\"color:#a52f08\" class=\"has-inline-color\">INST\u00c4LLT!<\/span><\/h2>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/per-wikstrom-received_624107094822616.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"916\" height=\"1024\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/per-wikstrom-received_624107094822616-916x1024.jpeg\" alt=\"\" class=\"wp-image-3319\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/per-wikstrom-received_624107094822616-916x1024.jpeg 916w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/per-wikstrom-received_624107094822616-268x300.jpeg 268w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/per-wikstrom-received_624107094822616-768x858.jpeg 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/per-wikstrom-received_624107094822616.jpeg 1813w\" sizes=\"auto, (max-width: 916px) 100vw, 916px\" \/><\/a><\/figure>\n\n\n\n<p>F\u00f6r 50 \u00e5r sedan spelade Morton Subotnik elektronmusik i Folkets Hus A-sal. Med sig hade han en Buchla, den f\u00f6rsta synt som skapats. Ljuden spelade han upp i fyra h\u00f6gtalare, en i varje h\u00f6rn av rummet. F\u00f6r att hylla honom har <strong>Analogue Dream Plant\/Per Wikstr\u00f6m<\/strong> en konsert med fyrkanalsmusik p\u00e5 Klubb 19, passande nog den 4\/4.<br>Musiken framf\u00f6rs p\u00e5 en Buchla, samma typ av instrument som Morton Subotnik hade p\u00e5 sin sverigeturn\u00e9. Det \u00e4r s\u00e4llan det h\u00f6rs live, det finns bara fem instrument i Sverige, varav tv\u00e5 p\u00e5 musikh\u00f6gskolor och en tredje p\u00e5 Elektronmusikstudion EMS.<br>I samband med konserten visar Analogue Dream Plant upp en del av kollektionen <strong>Nordic Light<\/strong>, lampskulturer som projicerar laserljus och vandrande f\u00e4rger p\u00e5 v\u00e4ggar och tak.<br>Lamporna \u00e4r till salu under konsertkv\u00e4llen. \u00c4ven den \u00e4r en hyllning till Subotnik som i San Fransico Tape Center och i den tidiga<br>Flower Power-r\u00f6relsen m\u00f6tte och anv\u00e4nde ljusshower tillsammans med musiken.<\/p>\n\n\n\n<p>Konserten b\u00f6rjar klockan 20:00, utst\u00e4llningen med lampskulpturerna \u00f6ppnar klockan 18:00<\/p>\n\n\n\n<p><em>Om Analogue Dream Plant\/Per Wikstr\u00f6m:<\/em><br>Per Wikstr\u00f6m b\u00f6rjade med elektronmusik i mitten av 80-talet, bland annat p\u00e5 Elektronmusikstudion EMS, som d\u00e5 var centrum f\u00f6r ung elektronmusik. Han har sedan dess komponerat och upptr\u00e4tt, blad annat i USA och Belgien.<br>Senaste utlandsengagemanget var med specialskriven musik till en konstutst\u00e4llning i San Diego. Men p\u00e5 spellistan finns ocks\u00e5 mer<br>n\u00e4rliggande platser, som Stora Torget i Str\u00e4ngn\u00e4s. Flera spelningar har varit p\u00e5 olika gallerier i samband med utst\u00e4llningar.<br>Han har ocks\u00e5 producerat musik f\u00f6r teater och television.<br>Som konstn\u00e4r \u00e4r hans produktion blygsammare. 1990 var han med p\u00e5 V\u00e5rsalongen i V\u00e4ster\u00e5s, sedan dess har han varit ganska tyst, fram till nu, n\u00e4r han b\u00f6rjat med lampskulpturerna. Dock har han varit flitig vid datorn och kommit ut med ett tiotal b\u00f6cker, s\u00e5v\u00e4l facklitteratur som romaner och barnb\u00f6cker.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">14\/5 LIVESTREAM &#8211; STOCKHOLMS SAXOFONKVARTETT 20:00 DIREKT IFR\u00c5N MUSIKALISKA<\/h2>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Stockholms-saxofonkvartett-2020-IMG_9122.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Stockholms-saxofonkvartett-2020-IMG_9122-1024x684.jpg\" alt=\"\" class=\"wp-image-3348\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Stockholms-saxofonkvartett-2020-IMG_9122-1024x684.jpg 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Stockholms-saxofonkvartett-2020-IMG_9122-300x200.jpg 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Stockholms-saxofonkvartett-2020-IMG_9122-768x513.jpg 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Stockholms-saxofonkvartett-2020-IMG_9122.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p>Tid: Livestream ifr\u00e5n Musikaliska startar <strong>20.00 nedan<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Nya Perspektiv presenterar Stockholms Saxofonkvartett\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/d6Z8OUjmObM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Entr\u00e9\/Access: fri access.<\/p>\n\n\n\n<p><strong>Stockholms Saxofonkvartett<\/strong> bildades 1969 av Sven Westerberg. Nuvarande bes\u00e4ttning best\u00e5r av; Linn Persson, Leif Karlborg, J\u00f6rgen Pettersson och Mathias Karlsen Bj\u00f6rnstad. Kvartetten har specialiserat sig p\u00e5 svensk och utl\u00e4ndsk kammarmusik f\u00f6r saxofoner samt avancerad elektroakustisk musik \u2013 kvartetten har f\u00e5tt sig tillskrivet mer \u00e4n 700 verk.<\/p>\n\n\n\n<p>En r\u00f6d tr\u00e5d i deras verksamhet \u00e4r ett n\u00e4ra samarbete med svenska och utl\u00e4ndska tons\u00e4ttare, liksom blivande komposit\u00f6rer, framf\u00f6r allt vid Kungliga Musikh\u00f6gskolan i Stockholm. Kvartetten h\u00e5ller seminarier, deltar i konserter och samarbetar med konstn\u00e4rer i andra genrer \u00e4n den egna.<\/p>\n\n\n\n<p>Deras s\u00e4tt att arbeta har snabbt utvecklat deras stil och skicklighet och de tillh\u00f6r v\u00e5ra absolut fr\u00e4msta interpreter p\u00e5 sitt mycket omfattande omr\u00e5de. Stockholms Saxofonkvartett drivs av en ob\u00e4ndig lust att st\u00e4ndigt utforska och spr\u00e4nga gr\u00e4nserna f\u00f6r vad som s\u00e4gs vara konstn\u00e4rligt m\u00f6jligt att \u00e5stadkomma. De framtr\u00e4der ofta p\u00e5 internationella festivaler samt i opera- och konserthus. Deras f\u00f6rm\u00e5ga att v\u00e4cka intresse f\u00f6r nutida musik kommer kontinuerligt allt fler tillgodo.<\/p>\n\n\n\n<p>Kvartetten har stor resvana \u2013 de har turnerat runt om i Europa (t. ex. Baltikum, Frankrike, Tyskland, Italien, Ungern, Grekland, Polen, Bosnien, Serbien, Kosovo, Rum\u00e4nien, Ryssland, Georgien, Ukraina) och de har framtr\u00e4tt i Iran, Bolivia, USA, Turkiet, Egypten, Israel, Sydafrika, Japan, Kina och Mongoliet.<\/p>\n\n\n\n<p>Stockholms Saxofonkvartett sprider svensk musik i utlandet och tar med sig nya musikaliska erfarenheter och upplevelser hem till den svenska publiken.<\/p>\n\n\n\n<p>Sedan 2016 arrangerar Stockholms Saxofonkvartett och Studio 53 festivalen Svensk Musikv\u00e5r vilken under en vecka presenterar svensk konstmusik p\u00e5 Stockholms fr\u00e4msta kulturscener. Festivalen har blivit ett unikt manifest f\u00f6r samtida musik och st\u00f6ds av Sveriges st\u00f6rsta kulturinstitutioner.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>program:<\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>Tomasz Skweres \u2013 Penrose Square<br class=\"\">Nils Henrik Asheim \u2013 Glasshus<br class=\"\">Nina \u0160enk \u2013 Phases of Water<br class=\"\">Tatjana Kozlova \u2013 Johannes \u2013 Lost motion<br class=\"\">Paula af Malmborg Ward &#8211; Desire Encapsulated<\/p><p>se beskrivningar av verk och tons\u00e4ttare nedan.<\/p><\/blockquote>\n\n\n\n<p><strong>Mathias Karlsen Bj\u00f6rnstad<\/strong><br>sopransaxofon<\/p>\n\n\n\n<p><strong>J\u00f6rgen Pettersson<\/strong><br>altsaxofon<\/p>\n\n\n\n<p><strong>Jesper Eriksson <\/strong>(vik f\u00f6r Leif Karlborg)<br>tenorsaxofon<\/p>\n\n\n\n<p><strong>Linn Persson<\/strong><br>baritonsaxofon<\/p>\n\n\n\n<p><a href=\"https:\/\/stockholmsax.com\/\">https:\/\/stockholmsax.com\/<\/a><\/p>\n\n\n\n<p>Livestreaming genomf\u00f6rs med st\u00f6d av<br><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/stim_logo_300x300_svart.jpg\"><\/a><\/p>\n\n\n\n<p><strong>TOMASZ SKWERES<\/strong>: PENROSE SQUARE<br>The Penrose square is an impossible object of the class of ambiguous figures in which parts of the picture that are not ambiguous are drawn in incompatible<br>perspectives. Ambiguous figures are those that, for the viewer, flip back and forth between equally possible perspectives of the object represented. Impossible figures like the Penrose square provide opportunities both for valuable research into human perceptual processes and to bring joy and<br>fascination to many through their inclusion in works of art. Such artworks reveal humankind\u2019s endless fascination with the creative and unusual. These instances can also help us realize that our own perceptions may be limited or different<br>from those of another person viewing the same thing. The piece Penrose Square for saxophone quartet shows in an acoustic way a play with the human perception and expectation.<\/p>\n\n\n\n<p>Tomasz Skweres, born in 1984, is a Polish-Austrian composer and cellist, who lives and works in Vienna in Austria and Regensburg in Germany. He studied composition with Chaya Czernowin and Detlev M\u00fcller-Siemens and<br>cello with Valentin Erben and Stefan Kropfitsch at the University of Music and Performing Arts in Vienna. He composed pieces commissioned by Radio Symphony Orchestra Vienna, by Konzerthaus in Vienna, Festival Wien Modern, Festival Musica Polonica Nova in Wroclaw, Philharmonic Orchestra Niederbayerische Philharmonie, Philharmonic Orchestra Regensburg, Theater Regensburg, Leopoldinum Orchestra in Poland, Apollon Musag\u00e8te Quartet,<br>Ensemble Zeitfluss in Graz, Ensemble Wiener Collage and by many others.<\/p>\n\n\n\n<p>His pieces were broadcasted in different countries \u2013 Austria, Germany, Italy, Poland, Australia, Mexico \u2013 and recorded by professional labels as Genuine, Col legno, Orlando Records.<\/p>\n\n\n\n<p>Works by Tomasz Skweres are regularly performed at renowned festivals all over the world, such as Wien Modern, Biennial Bern, ISCM World Music Days 2016 in Korea\/Tongyeong International Music Festival, Festival Musica 2015 in Strasbourg, Musica Polonica Nova, Festival Klangspuren in Tirol, Festival Goslar-Harz and many others.<\/p>\n\n\n\n<p>Tomasz Skweres won many prizes and competitions such as composition competition for the obligatory piece for the International Joseph Haydn Chamber Music Competition in Vienna 2007 in the category string, the composition competition of the Ernst Krenek Institut in Austria 2014, Prize for Music (Composition) of Vienna 2015, TONALi 2017 composition competition,Mustafa Kemal Atat\u00fcrk International Composition Competition 2019 and many others.<\/p>\n\n\n\n<p>Since 2012 Tomasz Skweres has been Principal Cellist in the Philharmonic Orchestra Regensburg in Germany. Between 2016-2017, he lectured cello classes at the Music University in Detmold. He is also an active interpreter in the field of contemporary music.\u201d<\/p>\n\n\n\n<p><strong>NILS HENRIK ASHEIM<\/strong>: GLASSHUS<br>Glasshus (Glass House) takes advantage of the homogeneous sound of the saxophone quartet in order to create music with blurred contours. The four voices are either circling around a central pitch as if searching for their way in a dark room, or superimposing rapid, fluttering figures without any common<br>direction. This is put into perspective by windows of short, loud exclamations and resonating, ringing chords, in a stepwise sequence of events that does not aim for any synthesis but rather tries to understand one\u2019s position through varying angles.<\/p>\n\n\n\n<p>The piece was written for the Norwegian ensemble Saxophone Concentus in 2001. It was premiered on a very cold winter night at one of the very first public events called \u201cSite Under Construction\u201d at Tou Scene, Stavanger, Norway. This centre for contemporary arts had just begun its development in an abandoned brewery, with the composer of this piece as one of its pioneer founders.<\/p>\n\n\n\n<p>Nils Henrik Asheim, born in 1960, enjoys a combined career as composer and performer. He started out as a composition pupil of Olav Anton Thommessen and made his d\u00e9but at the UNM Nordic Festival for young composers in Helsinki at the early age of fifteen. In 1978, he was awarded the EBU Rostrum prize for his work Ensemblemusikk for 5. He subsequently went on to study organ and composing at the Norwegian Academy of Music and the Sweelinck Conservatory in Amsterdam.<\/p>\n\n\n\n<p>As an organist, Asheim has performed in Scandinavia, Germany, Austria, Great Britain, Serbia, Slovakia, France and the United States. Asheim has been the resident organist of the new concert hall in Stavanger since its opening in 2012. There, he has displayed an innovative way of creating activities around the organ, and managed to get a large audience for the instrument.<\/p>\n\n\n\n<p>Nils Henrik Asheim has written several chamber music pieces, works for symphony orchestra, organ and choirs, as well as projects in public space and also using theatrical elements. He has been awarded the Nordic Council Music Prize, the Arne Nordheim prize, the Edvard prize and the Lindeman prize and<br>twice the Spellemannsprisen. His children\u2019s opera The Tempest, commissioned and premiered by the Norwegian Opera and Ballet, won the RESEO opera for Young Audience award.<\/p>\n\n\n\n<p>Since 1991, Asheim has been living in Stavanger, where he is active as a composer, musician and organizer. He was the principal initiator of the founding of Tou Scene, an alternative centre for contemporary arts in an abandoned factory building.<\/p>\n\n\n\n<p><strong>NINA \u0160ENK<\/strong>: PHASES OF WATER<br>Phases of Water was written in 2006 while studying in Dresden, Germany. It was commissioned by 4Saxess Saxophone Quartet and has been performed over twenty times since. The piece has four movements, each one represents a specific state (phase) of water. The joint characteristics of all movements are<br>constant flow, emphasis on the rhythmic structure and passing the material from one to the other saxophone.<\/p>\n\n\n\n<p>Nina \u0160enk graduated in composition from the Ljubljana Academy of Music under Prof. Pavel Mihel\u010di\u010d, then continued her postgraduate studies in composition in Dresden under the mentorship of Prof. Lothar Voigtl\u00e4nder and obtained her master\u2019s degree in the class of Prof. Matthias Pintscher at the University of<br>Music and Performing Arts in Munich, in 2008.<\/p>\n\n\n\n<p>She is a recipient of many awards, including the European Award for the Best Composition at the Young Euro Classic Festival for her Violin Concerto in 2004, the Academy of Music Pre\u0161eren Award and the first prize at the Weimar Spring Festival of Contemporary Music for her composition Movimento fluido in 2008. In the 2008\/2009 and 2009\/2010 seasons, Nina \u0160enk was a Composer in Residence of the Staatstheater Cottbus Orchestra in Germany. In 2010, the Rector of the University of Ljubljana awarded her a special recognition for artistic work in the area of musical composition and performance as well as architecture. In 2017, she was awarded the Pre\u0161eren Fund Prize for her creative work in the previous two years.<\/p>\n\n\n\n<p>Nina \u0160enk\u2019s works have been performed at numerous important international festivals (BBC Proms, New York Philharmonic Biennial, Salzburger Festspiele, Young Euro Classic Berlin, Kasseler Musiktage, Musica Viva Munich, Frankfurter<br>Positionen, Weimarer Fr\u00fchjahrstage, Heidelberger Fr\u00fchling, Takefu Festival (Japan), Ljubljana Summer Festival, Slowind Festival, Slovenian Music Days, World Music Days, World Saxophone Congress, etc.) and in many other concerts around the world with various orchestras and ensembles (New York<br>Philharmonic Orchestra, Staatstheater Cottbus Orchestra, Young Euro Classic Festival Orchestra, Slovenian Philharmonic Orchestra, RTV Slovenia Symphony Orchestra, Ensemble InterContemporain, Ensemble Modern, Scharoun Ensemble,<br>Ensemble Mosaik, London Sinfonietta, Ensemble United Berlin, Slowind Wind Quintet, Ensemble Aleph, Altera Veritas, MD7, DC8, Ensemble Concorde, Kammersymphonie Berlin and others).<\/p>\n\n\n\n<p><strong>TATJANA KOZLOVA-JOHANNES<\/strong>: LOST MOTION<br>Tatjana Kozlova-Johannes says about her piece: \u201cWriting this piece, I had an image in mind of a body in a very slow motion or completely immobile at times, with a great inner intensity and continuously flowing power, which can emerge at moments, when our attention stops focusing on the outer world.\u201d<\/p>\n\n\n\n<p>Tatjana Kozlova-Johannes is an Estonian composer of Russian origin. She grew up in the border towns Narva and Ivangorod, situated at the border between Estonia and Russia. In 1995, she decided to dedicate herself to music studies in Estonia, at Georg Ots Tallinn Music School. In 1999, she continued to study<br>composition at the Estonian Academy of Music and Theatre, at first with Jaan R\u00e4\u00e4ts and since her second year with Helena Tulve, obtaining later also a Master\u2019s degree under her guidance.<\/p>\n\n\n\n<p>Tatjana Kozlova-Johannes has supplemented herself in various Master classes, including Bart\u00f3k Festival (Szombathely, Hungary), Workshop for Young Composers (Dundaga, Latvia), International Summer Course for New Music in Darmstadt, Germany. Between 2003-2004, she studied composition with Fabio Nieder at the Conservatory G. Tartini of Trieste, Italy.<\/p>\n\n\n\n<p>Currently, she teaches composition at Georg Ots Tallinn Music School. In cooperation with Helena Tulve, Kozlova-Johannes carries on Master classes of \u201csound objects\u201d that aim to develop and recover the listening skills. Her works have been performed by several renown collectives in Estonia and abroad, including Ensemble U:, Resonabilis, Estonian National Symphony Or-<br>chestra, ICTUS, Klangforum Wien, Ensemble Phoenix Basel and Neue Vocal- solisten Stuttgart.<\/p>\n\n\n\n<p>In 2004, Kozlova-Johannes was awarded a third place in the youth category at the International Rostrum of Composers in Paris for the work Made of Hot Glass. In 2006, Kozlova-Johannes was awarded the Kranichsteiner Musikpreis \u2013 the main award of the International Summer Course for New Music in Darmstadt,<br>and in 2008 the Heino Eller Music Prize. Tatjana Kozlova-Johannes\u2019s works have been voted among the best 10 works in the general category at the International Rostum of Composers: Disintegration Chain in 2011 in Vienna and Lighting the<br>Fire in 2018 in Budapest. In 2015, she was awarded the Annual Prize of the Endowment for Music of the Cultural Endowment of Estonia.<\/p>\n\n\n\n<p><strong>PAULA AF MALMBORG WARD<\/strong>: DESIRE ENCAPSULATED<br>\u201cDesire encapsulated\u201d \u2013 saxophone Quartet (10 min), was successfully premiered at Dark music days, Reykjavik 2\/2. Back in 1993, on my birthday, Stockholm Saxophone Quartet premiered \u201cYakuzi\u201d in Stockholm. Now- 20 years later, we worked together again! I am SO happy to make music with these gorgeous musicians. They did so well in Reykjavik, and I am happy that Desire encapsulated touched the audience, for many reasons. \u201cPaula af Malmborg\u201d<\/p>\n\n\n\n<p>Paula af Malmborg Ward is one of our most distinctive opera composers. It is significant that her diploma work \u201dThe Bomb Party\u201d (premiered in 1998 at the Gothenburg Opera) both had a breakthrough as a composer and, together with the final scene from \u201dOf Mice and Men\u201d which she wrote before, the decisive step into the opera composing. But versatility as a musician and composer is also attested. Born in 1962 in Stockholm, she was involved in popular music in various forms during her childhood, in parallel with studies in classical piano for prof. Gunnar Hallhagen She wrote songs, arranged, sang and played piano in several groups, she worked with theatermusic and TV.<\/p>\n\n\n\n<p>She trained as a music teacher at the Royal Music Academy in Stockholm, and there also brought a passion for salsa music \u2013 then a relatively unknown genre in Sweden. After a couple of years as a musical leader af Skottes Musikteater in G\u00e4vle, she returned to school, where she was for 7 years, including studies for Hans Gefors at Malm\u00f6 Academy of Music. Paula af Malmborg Ward has a remarkable ease of movement across genre boundaries, and over time this movement has been boiled down to one\u2019s own, unmistakable musical identity, music with a lively temperament and full of ideas. She says: \u201dThe only thing we can be absolutely certain of, and indisputable that we must conduct ourselves to, is that time passes. Therefore \u2013 time, and timing, is my first and largest parameter. I am really accurate with that. Once I have set the timing, I can then rummage around in melody, harmony, timbre and rhythm without losing sight of the piece as a whole. \u201d<\/p>\n\n\n\n<p>This \u201dsecurity system\u201d makes her able to add f.ex. a touch of tango or bossa in a work if the context demands it. In many of her works the inspiration comes from text or picture, and often the humor has a prominent role, as in her lustful settlement with samba music in the orchestral work \u201dSambal Dente\u201d<\/p>\n\n\n\n<p>Ett stort tack till Musikaliska f\u00f6r uppl\u00e5tande av lokal.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><em>med reservation f\u00f6r \u00e4ndringar<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>21\/3 Henrik Munkeby N\u00f8rsteb\u00f8\/Nina de Heney\/Raymond Strid INST\u00c4LLT! Den norska trombonisten Henrik Munkeby N\u00f8rsteb\u00f8 har under de senaste \u00e5ren delat scener med ett stort antal inflytelserika improvisat\u00f6rer. Ett av hans \u00e5terkommande projekt har varit trion med den svenska trumslagaren Raymond Strid och kontrabassisten Nina de Heney. Sedan 2011 som trion har funnits har musiken st\u00e4ndigt &hellip; <a href=\"https:\/\/www.nyaperspektiv.se\/news\/?page_id=3407\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">V\u00e5r 2020<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":3347,"parent":3250,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3407","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/3407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3407"}],"version-history":[{"count":7,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/3407\/revisions"}],"predecessor-version":[{"id":3884,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/3407\/revisions\/3884"}],"up":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/3250"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/media\/3347"}],"wp:attachment":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}