{"id":3095,"date":"2018-11-20T09:18:31","date_gmt":"2018-11-20T08:18:31","guid":{"rendered":"http:\/\/www.nyaperspektiv.se\/news\/?page_id=3095"},"modified":"2019-08-15T15:59:05","modified_gmt":"2019-08-15T13:59:05","slug":"host-2018","status":"publish","type":"page","link":"https:\/\/www.nyaperspektiv.se\/news\/?page_id=3095","title":{"rendered":"H\u00f6st 2018"},"content":{"rendered":"<button id=\"bb1\" type=\"button\" value=\"Play\" class=\"responsivevoice-button\" title=\"ResponsiveVoice Tap to Start\/Stop Speech\"><span>&#128266; Lyssna p\u00e5 texten<\/span><\/button>\n        <script>\n            bb1.onclick = function(){\n                if(responsiveVoice.isPlaying()){\n                    responsiveVoice.cancel();\n                }else{\n                    responsiveVoice.speak(\"om ej annat anges: Klubb 19\u00a0serveras fr\u00e5n 20-24.00. Lokal: Slottsgatan 19, V\u00e4ster\u00e5s. Tid: Klubb ifr\u00e5n 20.00 \u00a0 artister p\u00e5 scen: 21.00 Entr\u00e9: 70 kr, studerande 40kr. Entr\u00e9 f\u00f6r medlemmar: 50 kr \/ studerande 20 kr Medlemsavgift: 20kr\/\u00e5r Medlemmar som \u00e4r 18 \u00e5r eller yngre f\u00e5r alltid fri entr\u00e9!\u00a0 Tillg\u00e4nglighet se info om tillg\u00e4nglighet f\u00f6r v\u00e5ra olika konsertlokaler p\u00e5 denna sida: Tillg\u00e4nglighet 14\/9 Nya Perspektiv p\u00e5 CUCUMBER sandwich. Vattentornet Skallberget I samarbete med konstn\u00e4rer som verkar i Skallbergets Vattentorn presenterar Nya Perspektiv tre liveakter och DJ p\u00e5 eventet CUCUMBER sandwich 14\/9 \u00a0d\u00e4r ett flertal lokala konstn\u00e4rer medverkar. fri entr\u00e9! 18.00 No Function Noiseprofilifr\u00e5n V\u00e4ster\u00e5s g\u00f6r en\u00a0 ljudbild passande f\u00f6r vattentornet f\u00f6r denna kv\u00e4ll. Niklas Hagstr\u00f6m\u00a0\u2013 analogsynth https:\/\/nofunction.bandcamp.com\/releases ca 20.00 MAG MAG \u00e4r\u00a0 Magdalena \u00c5grens soloprojekt. Hon g\u00f6r musik av trombon, trummaskin, megafon, s\u00e5ng och hembygda elektroniska instrument. Musiken byggs upp fr\u00e5n det minsta elementet och v\u00e4xer till en gigantisk dystopisk lo-fi orkester, som ibland \u00e4r tillbakah\u00e5llen och suggestiv, ibland kaotisk och vild. Det \u00e4r en punkig pop attack direkt ut fr\u00e5n hj\u00e4rtat. MAG har turnerat flitigt internationellt sen 2008 men sl\u00e4ppte inte sitt f\u00f6rsta album f\u00f6rr\u00e4n 2016 p\u00e5 Surplus Recordings och Zeon Light Skiva. Hon spelar \u00e4ven i banden Trapped in a loop och SORK. http:\/\/magagren.com Photo: Jens Mohr. ca 22:00 Jonas Broberg Modul\u00e4rkungen ifr\u00e5n Skarpn\u00e4ck presenterar ett liveset i samklang med vattentornets rum. Jonas Broberg - EMS synthi A http:\/\/www.squadrak.se\/ https:\/\/soundcloud.com\/borft\/jonas-broberg-splash-mekanik-lp ca 19-23 (mellan akter) DJ Christian Pallin (Koloni) Christian Pallin fr\u00e5n nomadiska klubben\u00a0Koloni\u00a0i G\u00f6teborg bjuder p\u00e5 en s\u00e4rpr\u00e4glad dansant internationell musik fr\u00e5n olika tidsepoker, kontinenter och stilar. Kan vara surf fr\u00e5n Pakistan, Latin-kraut fr\u00e5n Venezuela, electro fr\u00e5n\u00a0 Mali, psych fr\u00e5n Japan, Hip-hop fr\u00e5n Estland,\u00a0 psykadelisk Cumbia fr\u00e5n Argentina eller varf\u00f6r inte Afrobeat p\u00e5 finska. 15.00 - 23.00 CUCUMBER sandwich\\'s konstevenemang konstutst\u00e4llning under vattentornet p\u00e5 skallberget i v\u00e4ster\u00e5s \u00f6ppet endast en dag, 15.00-23.00, 14 september 2018 Deltagande konstn\u00e4rer Anne-Charlotte Dahl - Skulptur Bo Fredriksson - M\u00e5leri Dan Wid - Skulptur Frida Lund\u00e9n - Skulptur Jakob Ojanen - Installation Joakim Tano - Skulptur Lisa Englund - Installation Marie L\u00e5nghans - M\u00e5leri\/skulptur Dan Wid: www.danwid.se Frida Lund\u00e9n: www.fridalunden.se Jakob Ojanen: www.jakobojanen.com Marie L\u00e5nghans: www.marielanghans.com Joakim Tano: www.joakimtano.com Plats: VATTENTORNET 1, 722 23 V\u00e4ster\u00e5s. https:\/\/goo.gl\/maps\/iDLXEWexYbS2 Hitta till platsen \/ tillg\u00e4nglighet: f\u00f6lj den skyltade och upplysta g\u00e5ngv\u00e4gen som leder upp mot tornet fr\u00e5n nansenv\u00e4gen. utst\u00e4llningsytan \u00e4r grusad, men i endast ett plan, utan trappsteg eller andra hinder. Toalett finns men \u00e4r placerad i vattentornets topp via hiss, d\u00e4rf\u00f6r kan eldrivna fordon ej tas med till toalett. Toalett har viss anpassning f\u00f6r rullstol. Directions & accessibility: the water tower is easily accessed via the paved walkway from nansenv\u00e4gen, just follow the signs and lights. the exhibition area is not paved, but graveled. the exhibition is on the ground floor and in one level only, no stairs or other obstacles. Tider konstutst\u00e4llning:\u00a015.00-23.00, 14 september 2018 (endast under dena dag) Tider konserter:\u00a0 start 18.00 Evenemanget p\u00e5 facebook:\u00a0https:\/\/www.facebook.com\/events\/673252556387708\/ evenemanget anordnas med s\u00e4rskilt st\u00f6d av v\u00e4ster\u00e5s stads kulturn\u00e4mnd\u00a0 15\/9 Kulturnatt med WERL (US\/SE), M\u00e5lgrupp, Back, Curt Christer och Helena ft. Nicklas Sandstr\u00f6m Traditionsenligt k\u00f6r Nya Perspektiv p\u00e5 Klubb 19 p\u00e5 Kulturnatten! Slottsgatan 19, V\u00e4ster\u00e5s En sk\u00f6n blandning av olika uttryck. Fri entr\u00e9!\u00a0 19.00 Curt Christer och Helena featuring Nicklas Sandstr\u00f6m Monoton\u00a0improvisation med trummor och elbas \u00f6ver ringlande synthmattor med doft av Tallinn.\u00a0Under kv\u00e4llen framf\u00f6rs n\u00e5gra stycken som blir till i stunden. Curt \u00d6stlund\u00a0\u2013 synthar Christ Rispling\u00a0\u2013 trummor Helena \u00d6stlund\u00a0\u2013 elbas Nicklas Sandstr\u00f6m\u00a0\u2013 tba 20.30 BACK En vass gitarr och stark r\u00f6st som \u00f6verr\u00f6star dom flesta. Det \u00e4r musik med nerv i en industristad men mags\u00e5ret i NYC. Texterna \u00e4r lika skakande slamriga som gitarren \u00e4r pulserande poetisk. Tillsammans med Guidai de Mello, sin trumslagare och vapendragare sedan ton\u00e5rstiden, hamrar de in angel\u00e4gna samtidsber\u00e4ttelser och personligt n\u00e4ra betraktelser. Back har tidigare skrivit musik till och turnerat med Jenny Wrangborg & Stationen. Back - Elgitarr, s\u00e5ng Guidai de Mello - trummor 21.30 M\u00e5lgrupp M\u00e5lgrupp \u00e4r ett konstprojekt som har tagit m\u00e5nga skepnader sedan starten 2010. Visuell konst (video, fanzines, affisch, street art etc), Workshops, textkomposition och har framf\u00f6r allt kretsat kring musik. Ett tag stod m\u00e5lgrupp som ett \u00f6ppet musik kollektiv, vilket det p\u00e5 s\u00e4tt och vis fortfarande kanske g\u00f6r, fast p\u00e5 senare tid har det mest blivit meditationer fr\u00e5n en enda deltagare. Dessa meditationer sker idag oftast p\u00e5 ett stycke rullbandspelare som loopar, behandlar och f\u00f6r\u00e4ndrar f\u00f6rinspelade ljud (slagverk, synthar, dylikt) och f\u00e4ltinspelningar f\u00f6r att skapa nya ljud-skulpturer och atmosf\u00e4rer. Julian Murray - elbas, efx, processing https:\/\/maternalvoice.bandcamp.com ca 22.30 WERL WERL \u00e4r en duo best\u00e5ende av den kanadensiska gitarristen Aidan Baker (\u00e4ven av Nadja, B \/ B \/ S \/ etc.) och den svenska trummisen Tomas J\u00e4rmyr (\u00e4ven av Zu, Motorpsycho, etc.). Utfallet \u00e4r en helt spontan improvisationsmusik som omfattar kaotisk fri- jazz, spr\u00e4ngfull metall, atmosf\u00e4riska droner och experimentella kluster. WERL sl\u00e4ppte sitt debut-2CD-album 2016 p\u00e5 den belgiska etiketten Consouling Sound och sl\u00e4ppte d\u00e4refter en uppf\u00f6ljnings LP, HH.2016.09.08, som dokumenterar ett liveframtr\u00e4dande i Hamburg, gemensamt sl\u00e4ppt av den tyska etiketten Wolves & Vibrancy och den italienska etiketten Dio Drone. Aidan Baker - Elgitarr, processing Tomas J\u00e4rmyr - trummor https:\/\/werl.bandcamp.com https:\/\/www.facebook.com\/WERLduo Klubb 19\u00a0serveras fr\u00e5n 18-24.00. Lokal: Slottsgatan 19, V\u00e4ster\u00e5s. Tid: Klubb ifr\u00e5n 18.00 \u00a0 artister p\u00e5 scen: 19.00 och fram\u00e5t Entr\u00e9: fri entr\u00e9. 20\/10 the Electrics (Strid\/D\u00f6rner\/Ericson\/Williamson) Fr\u00e5n Berlin i \u00f6st till Vancouver i v\u00e4st: Jazz, fri-jazz, improvisation och samtida musik i en sm\u00e4ltdegel. the Electrics \u00e4r en h\u00f6gst originell musikalisk profil skapad av fyra internationellt renommerade musiker. Trumslagaren Raymond Strid \u00e4r idag ett v\u00e4lk\u00e4nt namn s\u00e5v\u00e4l p\u00e5 den svenska som internationella frijazz-och improvisationsscenen. Axel D\u00f6rner \u00e4r av de fr\u00e4msta arkitekterna bakom dagens trumpetspel. Med en rik katalog \u00f6ver ljud och uttryck, har han spelat med de flesta av de st\u00f6rsta improvisat\u00f6rerna \u00f6ver hela v\u00e4rlden. Hos Sture\u00a0Ericson finns ett brett spektrum av ljud i hans ordf\u00f6rr\u00e5d och med en omfattande bakgrund p\u00e5 den internationella fria musikscenen.\u00a0Joe Williamson, en\u00a0efterfr\u00e5gad och popul\u00e4r i experimenterande milj\u00f6er i London, Amsterdam, Berlin och Stockholm. Raymond Strid - trummor Axel D\u00f6rner - trumpet, slide-trumpet Sture Ericson - saxofon, klarinett Joe Williamson - kontrabas \u201cShould be recognized without qualifictions as an identifying archetype of top- flight improvisation\u201d, \u201cA true Northern European super group\u201d\u00a0\u2013 Ken Waxman,\u00a0Jazz Weekly on The Electrics \u201cThe Electrics shift smoothly across adjacent genres, edging over from free jazz simmer to intricate small sound mosaics. They vary pace and dynamics expertly, and the energy flow is unaffected by their collective descent to the molecular level of buzz, tap, purr and whirr. It\u00b4s a total music conception fully realized by highly skilled players who impose no limits on their instruments.\u201d\u00a0\u2013 The WIRE Klubb 19\u00a0serveras fr\u00e5n 20-24.00. Lokal: Slottsgatan 19, V\u00e4ster\u00e5s. Tid: Klubb ifr\u00e5n 20.00 \u00a0 artister p\u00e5 scen: 21.00 Entr\u00e9: 70 kr, studerande 40kr. Entr\u00e9 f\u00f6r medlemmar: 50 kr \/ studerande 20 kr Medlemsavgift: 20kr\/\u00e5r Medlemmar som \u00e4r 18 \u00e5r eller yngre f\u00e5r alltid fri entr\u00e9! 27\/10 TRANSLUCENT HARMONIES \u2013 ANDPLAY (US) The NYC-based music duo andPlay, featuring\u00a0Maya Bennardo\u00a0on violin and\u00a0Hannah Levinson\u00a0on viola, joins us to perform \u201cTranslucent Harmonies,\u201d a program of two pieces written by composers\u00a0Catherine Lamb\u00a0and\u00a0Kristofer Svensson. Since being founded in 2012, andPlay has been committed to expanding the existing violin\/viola repertoire through performances of rarely heard works as well as commissioned pieces from emerging composers. This program, commissioned from the composers, consists of two new pieces composed in just intonation, which uses a form of tuning outside of the standard system to create otherworldly moods. The first work Vid stenmuren blir tanken blomma (2018) by Kristofer Svensson is a constant pendulum movement between noise and tone in a state of stillness and silence. The title refers to the simple joy that can arise as you pass a stone wall, see a flower and at that moment forget yourself to realize the inseparable between mind and flower. The second work is Prisma Interius VIII (2018) by composer Catherine Lamb. The piece explores the gradations of perceptual and musical clarity and its limits within an environment. andPlay Photo by: Aleks Karjaka ABOUT THE PERFORMERS Described by I Care If You Listen as \u201centhusiastic champions for new music and collaboration\u201d and performing \u201cwith a welcoming and dynamic spirit,\u201d andPlay is committed to expanding the existing violin\/viola duo repertoire through performing rarely heard works and commissioning emerging composers. The New York City-based duo of\u00a0Maya Bennardo, violin, and\u00a0Hannah Levinson, viola, first played to an eager crowd on Fire Island in the summer of 2012, and has since premiered nearly fifty new works, close to thirty of which have been commissioned, many of which include electronics. andPlay has collaborated closely with numerous composers, including Robert Honstein, Scott Wollschleger, Clara Iannotta, David Bird, Bethany Younge and Ravi Kittappa, and consider those relationships to be an integral part of their artistic process. Honstein praises the duo for their \u201cconsummate professionalism, fierce musicality and an unflappable good spirit.\u201d andPlay was a semi-finalist in the 2016 Concert Artists Guild Victor Emaleh Competition and was the recipient of a 2016 CMA Classical Commissioning grant with composer Ravi Kittappa, made possible by the Chamber Music America Classical Commissioning Program, with generous funding provided by The Andrew W. Mellon Foundation, and the Chamber Music America Endowment Fund. Recent highlights include a West Coast tour with performances and workshops at the Center for New Music in San Francisco and Monkspace in LA, a Midwestern tour (including performances in Columbus, Ohio through CNX: The Columbus \/\/ NYC New Music Exchange, at the Toledo Museum of Art, Short North Stage in Columbus, OH), and a performance as guest artists at the 2017 Omaha Under the Radar Festival (Omaha, NE). The duo has also performed at the NUNC!2 Conference at Northwestern University, the New Music Gathering at Peabody Conservatory, and the String Theories festival in New York City, as well as performances at venues including Roulette, The Stone, The DiMenna Center in NYC and The Record Company in Boston, MA. Beyond the concert stage, Maya and Hannah are passionate educators offering workshops in contemporary string techniques, chamber music coaching and composition notation for strings. They\u2019ve offered performances and masterclasses at UC Santa Cruz, Western Connecticut State University, and Bowling Green State and are artists-in-residence at the Snow Pond Composers Workshop (Sidney, ME). ABOUT THE COMPOSERS Catherine Lamb\u00a0(b. 1982, Olympia, Wa, U.S.), is a composer exploring the interaction of elemental tonal material and the variations in presence between shades and beings in a room. She has been studying and composing music since a young age. In 2003 she turned away from the conservatory in an attempt to understand the structures and intonations within Hindustani Classical Music, later finding Mani Kaul in 2006 who was directly connected to Zia Mohiuddin Dagar and whose philosophical approach to sound became important to her. She studied (experimental) composition at the California Institute of the Arts (2004-2006) under James Tenney and Michael Pisaro, who were both integral influences. It was there also that she began her work into the area of Just Intonation, which became a clear way to investigate the interaction of tones and ever-fluctuating shades, where these interactions in and of them-selves became structural elements in her work. Since then she has written various ensemble pieces (at times with liminal electronic portions) and continues to go further into elemental territories, through various kinds of research, collaboration, and practice (herself as a violist). She received her MFA from the Milton Avery School of Fine Arts at Bard College in 2012 and is currently residing in Berlin, Germany. Catherine Lamb Kristofer Svensson Kristofer Svensson\u00a0is a composer from Stockholm, Sweden. His music is written exclusively in the alternative tuning system Just Intonation. Since becoming the first Swedish composer to retune a grand piano to Just Intonation for his graduation concert from the Royal College of Music in Stockholm in 2012, he has spearheaded the powerful movement of Swedish artists exploring microtonality in the 21st century. His use of Just Intonation is connected to an interest in the antique, an interest which also is reflected in a number of compositions for pre-1850 European instruments (chamber organs, clavichords, fortepianos etc.). The \u2018antique\u2019 is, however, not only limited to European traditions, and Svensson has spent extensive time studying Asian traditional musics such in Stockholm, Hong Kong, West Java, and Fukoka, Japan.. These studies were supported by grants from the Indonesian Ministry for Arts and Culture Darmasiswa-scholarship (2013), a JASSO Scholarship from the Japanese government (2015) as well as grants from the Swedish foundations G\u00e5l\u00f6s and (2015) and Anna Withlock Memorial Foundation (2014). In Indonesia, he worked together with Sundanese gamelan-maker Asep \u2018Dede\u2019 Ahum on designing a new set of justly tuned gamelan instruments later used in the piece \u2018Ir Himinn, Groenn\u2019 written for and premiered by Hong Kong New Music Ensemble (HK) and later released by the Swedish avant-garde label XKatedral on the compilation album \u201cXKatedral Volume II\u201d (2016). He has also written pieces for Asian instruments such as g\u01d4q\u00edn, sh\u014d, k\u014dto and kecapi. In the fall of 2018, a new bass koto piece in Just Intonation will be premiered by Miyama McQueen-Tokita in T\u014dky\u014d. His music has been premiered by many groups and his activities as a composer have been supported by numerous from Swedish foundations and institutions, including a recent commission through the Swedish Arts Council to write two new pieces for Mats Persson and Kristine Scholz to be premiered in 2019. He obtained a Master\u2019s degree in Music Composition from the University of Hong Kong with the thesis \u201cThe Use of Just Intonation in my Recent Compositions\u201d. andPlay Maya Bennardo\u00a0\u2013 violin Hannah Levinson\u00a0\u2013\u00a0 viola compositions: Kristofer Svensson \u2013\u00a0Vid stenmuren blir tanken blomma (2018) Catherine Lamb \u2013\u00a0Prisma Interius VIII (2018) http:\/\/andplayduo.com\/ http:\/\/www.sacredrealism.org\/catlamb\/index.html http:\/\/kristofersvensson.com\/ https:\/\/en.wikipedia.org\/wiki\/Just_intonation Klubb 19\u00a0serveras fr\u00e5n 20-24.00. Lokal: Slottsgatan 19, V\u00e4ster\u00e5s. Tid: Klubb ifr\u00e5n 20.00 \u00a0 artister p\u00e5 scen: 21.00 Entr\u00e9: 70 kr, studerande 40kr. Entr\u00e9 f\u00f6r medlemmar: 50 kr \/ studerande 20 kr Medlemsavgift: 20kr\/\u00e5r Medlemmar som \u00e4r 18 \u00e5r eller yngre f\u00e5r alltid fri entr\u00e9!\u00a0 torsdag 15\/11 Ensemble Gahlmm p\u00e5 V\u00e4ster\u00e5s Konstmuseum Vintern 2018 st\u00e5r en helt ny ensemble p\u00e5 den svenska konstmusikscenen! Ensemblens sammans\u00e4ttning best\u00e5r av musiker som i olika konstellationer arbetat i duoformer och musiker som v\u00e4l k\u00e4nner till varandra men aldrig spelat tillsammans. Gemensamt f\u00f6r dem alla \u00e4r att de under m\u00e5nga \u00e5r visat prov p\u00e5 h\u00f6gkvalitativa framf\u00f6randen p\u00e5 den nationella s\u00e5 v\u00e4l som internationella scenen. Ensemble GAHLMM \u00e4r under h\u00f6sten 2018 i slutfasen att sammanst\u00e4lla en sp\u00e4nnande repertoar. Repertoaren inbegriper ett stort omf\u00e5ng inom den nutida konstmusiken s\u00e5som kammarmusik till improvisation och elektronik. Tons\u00e4ttare som \u00e4r medlemmar i FST har under \u00e5ret skrivit verk f\u00f6r denna ensemble i och med att FST fyller 100 \u00e5r . Det r\u00e5der inget tvivel om att det blir spektakul\u00e4rt och en av den skandinaviska vinterkylans stora h\u00e4ndelser! ENSEMBLE GAHLMM MY HELLGREN bor i G\u00f6teborg och arbetar som cellist i m\u00e5nga olika sammanhang. Hon \u00e4r som mest aktiv inom den nutida konstmusiken och \u00e4r medlem i Curious Chamber Players, ensemble Mimitabu och text\/ljud trion MonoMono. Hon anlitas \u00e4ven av andra ensembler som t.ex. Gageego! och danska Scenatet. Hellgren samarbetar g\u00e4rna med tons\u00e4ttare och har uruppf\u00f6rt solo och kammarmusikstycken. Hon har tilldelats arbetsstipendier fr\u00e5n Konstn\u00e4rsn\u00e4mnden, G\u00f6teborgs stad och V\u00e4stra G\u00f6talandsregionen. My \u00e4r utbildad p\u00e5 Det Kongelige Danske Musik-konservatorium i K\u00f6penhamn samt p\u00e5 HSM i G\u00f6teborg. GEORGE KENTROS Svensk-amerikansk violinist utbildad vid Yale University och Mannes School of Music i USA samt p\u00e5 Musikh\u00f6gskolan i Stockholm. Han har under hela sin karri\u00e4r specialiserat sig p\u00e5 den allra nyaste konstmusiken, fr\u00e4mst med kvartetten p\u00e4rlor f\u00f6r svin som han grundade 1995 och duon There are no more four seasons, som bildades 2004 och vars debut-CD kallades f\u00f6r en av decenniets 10 fr\u00e4msta klassiska inspel-ningar av DN. Hittills har han hunnit best\u00e4lla och uruppf\u00f6ra fler \u00e4n 150 verk av tons\u00e4ttare fr\u00e5n 20 l\u00e4nder och framtr\u00e4tt som solist, kammarmu-siker och sk\u00e5despelare runtom i Europa samt i USA, Japan, Kanada och Centralamerika. Han grundade \u00e4ven avantgardeklubben SEKT, som var stilbildande inom den svenska alternativa blandkonstscenen och som nu har funnits i 19 \u00e5r. HENRIK OLSSON Fr\u00e5n bruksorten Kyrkhult i Blekinge, har studerat improvisation och klassiskt slagverk vid G\u00f6te-borgs Musikh\u00f6gskola med mastersexamen 2001. Olsson ing\u00e5r till och fr\u00e5n i olika samarbetsprojekt; senast som komposit\u00f6r och musiker i Francesco Scavettas dansf\u00f6rest\u00e4llning Lost Accidentally och som Foley vid stumfilms-visningar tillsammans med Matti Bye Ensemble p\u00e5 bl. a San Francisco Silent Film Festival, G\u00f6teborgs Filmfestival, Kalbj\u00e4rga Filmfestival p\u00e5 F\u00e5r\u00f6. Han r\u00f6r sig fritt mellan improviserad och noterad musik, d\u00e4r n\u00e4stintill oh\u00f6rbara akustiska ljudk\u00e4llor eller friktioner lyfts fram med hj\u00e4lp av piezoelement. Senaste \u00e5ren har han turnerat och g\u00e4stspelat p\u00e5 festivaler i Ryssland, Japan, USA, Kuba, Libanon samt hela Europa fr\u00e5n Svalbard till Aten med musik utgiven p\u00e5 Another Timbre, H\u00e4pna, Kning Disk, BombaxBombax, Monotype Records, Sofa med flera. MATTIAS PETERSSON \u00e4r utbildad vid Kungl. Musikh\u00f6gskolan och har diplom i elektroakustisk komposition. Sedan sin examen 2006 har han varit internationellt verksam b\u00e5de som tons\u00e4ttare och elektron-musiker. Som soloartist har han sl\u00e4ppt skivor med sin elektroniska musik p\u00e5 bland annat Moving Furniture Records, iDeal Recordings, Fylkingen Records och Jahr Null Aufnahmen. Han har \u00e4ven skrivit en stor m\u00e4ngd kammar-musik, ett flertal operor och gjort musik till \u00e5tta dansf\u00f6rest\u00e4llningar. Petersson samarbetar med namnkunniga artister och ensembler fr\u00e5n olika musikaliska f\u00e4lt och hans musik har spelats b\u00e5de i klubbmilj\u00f6er och p\u00e5 impro- och kammamusik-scener \u00f6ver hela v\u00e4rlden. Som ena halvan av den hyllade duon There are no more four seas-ons har han tillsammans med violinisten George Kentros omarbetat klassiska verk till ny musik f\u00f6r violin och live-elektronik. ANNA SVENSDOTTER Fl\u00f6jtist baserad i G\u00f6teborg. Spelar i flera olika ensembler: 40f (som firar 10-\u00e5rsjubileum i \u00e5r), Parkour, Ghost Inside Ghost, Trio Ek\/Janson\/ Svensdotter och duon Glow med My Hellgren. 2013 sl\u00e4pptes solo-CDn Alpha Waves (SFZ Records) med svensk musik f\u00f6r fl\u00f6jt och elektronik. 2019 v\u00e4ntar bland annat en duo-turn\u00e9 med Paula Matthusen (US) och teater-projekt med Teater Spira. LISA ULL\u00c9N \u00e4r en av landets mest inflytelserika pianister inom den nutida konstmusiken och ofta verksam inom den svenska frijazz- och improvi-sationsscen. Ull\u00e9n \u00e4r ocks\u00e5 internationellt k\u00e4nd som en unik och kompromissl\u00f6s tons\u00e4ttare och musiker. Under de senaste decenniet \u00e5ren har hon sl\u00e4ppt \u00f6ver femton album i b\u00e5de eget namn och i olika samarbeten med musiker som Charlotte Hug, Okkyung Lee, Nina de Heney, Mariam Wallentin, Maggie Nicols och turnerat i Europa, USA, Kanada och Japan. Senast har hon sl\u00e4ppt trippel-CDn Piano Works f\u00f6r solo piano och vinyl EP:n Sekvenser och Lager med Mot-st\u00e5ndsorkestern, en komposition f\u00f6r storband som rymmer inte mindre \u00e4n tre kontrabasister. Plats: V\u00e4ster\u00e5s Konstmuseum Karlsgatan 2 H\u00f6rsalen Tid: 18.00 Fri entr\u00e9! Ensemblen framf\u00f6r verken: Fredrik Gran\u00a0\u2013 Vox terminus (9 min) Marta Forsberg\u00a0\u2013 To all Frequencies I Can Not sense for Quartet (omarb.) (21 min) Ida Lund\u00e9n\u00a0\u2013 Tyskamossarnas sugluft (omarb.) (12 min) Dror Feiler\u00a0\u2013 Halat at tawari \u2013 \u05de\u05e6\u05d1 \u05d7\u05e8\u05d5\u05dd (5 min) Plats: V\u00e4ster\u00e5s Konstmuseum Karlsgatan 2 H\u00f6rsalen Tid: 18.00 Fri entr\u00e9! Med speciellt st\u00f6d ifr\u00e5n: \u00a0\u00a0\u00a0 Klubb 19\u00a0serveras fr\u00e5n 20-24.00. Lokal: Slottsgatan 19, V\u00e4ster\u00e5s. Tid: Klubb ifr\u00e5n 20.00 \u00a0 artister p\u00e5 scen: 21.00 Entr\u00e9: 70 kr, studerande 40kr. Entr\u00e9 f\u00f6r medlemmar: 50 kr \/ studerande 20 kr Medlemsavgift: 20kr\/\u00e5r Medlemmar som \u00e4r 18 \u00e5r eller yngre f\u00e5r alltid fri entr\u00e9!\u00a0 med reservation f\u00f6r \u00e4ndringar\", \"Swedish Female\");\n                }\n            };\n        <\/script>\n    <\/p>\n<div class=\"\"><em>om ej annat anges:<\/em><br \/>\nKlubb 19\u00a0serveras fr\u00e5n 20-24.00.<\/div>\n<div class=\"\">\n<p><strong>Lokal<\/strong>: Slottsgatan 19, V\u00e4ster\u00e5s.<br \/>\n<strong>Tid<\/strong>: Klubb ifr\u00e5n 20.00 \u00a0 artister p\u00e5 scen: 21.00<br \/>\n<strong>Entr\u00e9<\/strong>: 70 kr, studerande 40kr.<br \/>\n<strong>Entr\u00e9 f\u00f6r medlemmar<\/strong>: 50 kr \/ studerande 20 kr<br \/>\n<strong>Medlemsavgift<\/strong>: 20kr\/\u00e5r<br \/>\n<em>Medlemmar som \u00e4r 18 \u00e5r eller yngre f\u00e5r alltid fri entr\u00e9!\u00a0<\/em><\/p>\n<\/div>\n<h4>Tillg\u00e4nglighet<\/h4>\n<p>se info om tillg\u00e4nglighet f\u00f6r v\u00e5ra olika konsertlokaler p\u00e5 denna sida:<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"VhUNQ1GmQN\"><p><a href=\"https:\/\/www.nyaperspektiv.se\/news\/?page_id=1105\">Tillg\u00e4nglighet<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Tillg\u00e4nglighet&#8221; &#8212; \" src=\"https:\/\/www.nyaperspektiv.se\/news\/?page_id=1105&#038;embed=true#?secret=nwU6PcvwAS#?secret=VhUNQ1GmQN\" data-secret=\"VhUNQ1GmQN\" width=\"474\" height=\"267\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<h3><\/h3>\n<h3>14\/9 Nya Perspektiv p\u00e5 CUCUMBER sandwich. Vattentornet Skallberget<\/h3>\n<p>I samarbete med konstn\u00e4rer som verkar i Skallbergets Vattentorn presenterar Nya Perspektiv tre liveakter och DJ p\u00e5 eventet <strong>CUCUMBER sandwich 14\/9 <\/strong>\u00a0d\u00e4r ett flertal lokala konstn\u00e4rer medverkar.<\/p>\n<p><em>fri entr\u00e9!<\/em><\/p>\n<h4>18.00 No Function<\/h4>\n<p>Noiseprofilifr\u00e5n V\u00e4ster\u00e5s g\u00f6r en\u00a0 ljudbild passande f\u00f6r vattentornet f\u00f6r denna kv\u00e4ll.<\/p>\n<p><strong>Niklas Hagstr\u00f6m<\/strong>\u00a0\u2013 analogsynth<\/p>\n<p><a href=\"https:\/\/nofunction.bandcamp.com\/releases\">https:\/\/nofunction.bandcamp.com\/releases<\/a><\/p>\n<p><iframe loading=\"lazy\" title=\"No Function @ Nya Perspektiv 2011-11-01 Part 1\/2\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/XCeih3UNHKE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/magpic2-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-3031\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/magpic2-1-1024x768.jpg\" alt=\"\" width=\"474\" height=\"356\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/magpic2-1-1024x768.jpg 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/magpic2-1-300x225.jpg 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/magpic2-1-768x576.jpg 768w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><\/h4>\n<h4>ca 20.00 MAG<\/h4>\n<p>MAG \u00e4r\u00a0 Magdalena \u00c5grens soloprojekt. Hon g\u00f6r musik av trombon, trummaskin, megafon, s\u00e5ng och hembygda elektroniska instrument. Musiken byggs upp fr\u00e5n det minsta elementet och v\u00e4xer till en gigantisk dystopisk lo-fi orkester, som ibland \u00e4r tillbakah\u00e5llen och suggestiv, ibland kaotisk och vild. Det \u00e4r en punkig pop attack direkt ut fr\u00e5n hj\u00e4rtat.<\/p>\n<p>MAG har turnerat flitigt internationellt sen 2008 men sl\u00e4ppte inte sitt f\u00f6rsta album f\u00f6rr\u00e4n 2016 p\u00e5 <a href=\"http:\/\/surplusrecordings.se\/\">Surplus Recordings<\/a> och <a href=\"https:\/\/zeonlightskiva.bandcamp.com\/\">Zeon Light<\/a> Skiva. Hon spelar \u00e4ven i banden Trapped in a loop och SORK.<\/p>\n<p><a href=\"http:\/\/magagren.com\">http:\/\/magagren.com<\/a><\/p>\n<p><iframe loading=\"lazy\" title=\"MAG-Fun Fun Fun- live at Pushfestival\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/cIgsCZYWv8o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h5><\/h5>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-3048\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/35288630_1636709186436045_6581064764300984320_o-1024x683.jpg\" alt=\"\" width=\"474\" height=\"316\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/35288630_1636709186436045_6581064764300984320_o-1024x683.jpg 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/35288630_1636709186436045_6581064764300984320_o-300x200.jpg 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/35288630_1636709186436045_6581064764300984320_o-768x512.jpg 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/35288630_1636709186436045_6581064764300984320_o.jpg 1050w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><br \/>\n<em>Photo: Jens Mohr.<\/em><\/p>\n<h5>ca 22:00 Jonas Broberg<\/h5>\n<p>Modul\u00e4rkungen ifr\u00e5n Skarpn\u00e4ck presenterar ett liveset i samklang med vattentornets rum.<\/p>\n<p><strong>Jonas Broberg<\/strong> &#8211; EMS synthi A<\/p>\n<p><a href=\"http:\/\/www.squadrak.se\/\">http:\/\/www.squadrak.se\/<\/a><\/p>\n<p>https:\/\/soundcloud.com\/borft\/jonas-broberg-splash-mekanik-lp<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/djpys-e1490620475939.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3032\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/djpys-e1490620475939.jpg\" alt=\"\" width=\"346\" height=\"346\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/djpys-e1490620475939.jpg 600w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/djpys-e1490620475939-150x150.jpg 150w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/djpys-e1490620475939-300x300.jpg 300w\" sizes=\"auto, (max-width: 346px) 100vw, 346px\" \/><\/a><\/p>\n<h4>ca 19-23 (mellan akter) DJ Christian Pallin (Koloni)<\/h4>\n<div dir=\"ltr\"><span dir=\"ltr\">Christian Pallin fr\u00e5n nomadiska klubben\u00a0<a href=\"http:\/\/facebook.com\/koloni.gbg\">Koloni<\/a>\u00a0i G\u00f6teborg bjuder p\u00e5 en s\u00e4rpr\u00e4glad dansant internationell musik fr\u00e5n olika tidsepoker, kontinenter och stilar. Kan vara surf fr\u00e5n Pakistan, Latin-kraut fr\u00e5n Venezuela, electro fr\u00e5n\u00a0 Mali, psych fr\u00e5n Japan, Hip-hop fr\u00e5n Estland,\u00a0 psykadelisk Cumbia fr\u00e5n Argentina eller varf\u00f6r inte Afrobeat p\u00e5 finska.<\/span><\/div>\n<div dir=\"ltr\"><\/div>\n<p><iframe loading=\"lazy\" title=\"GBG Wax Trax #131 med Christian Pallin by GBG WAX TRAX\" width=\"474\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F237878382&#038;show_artwork=true&#038;maxheight=711&#038;maxwidth=474\"><\/iframe><\/p>\n<h4>15.00 &#8211; 23.00 CUCUMBER sandwich&#8217;s konstevenemang<\/h4>\n<p>konstutst\u00e4llning under vattentornet p\u00e5 skallberget i v\u00e4ster\u00e5s<br \/>\n\u00f6ppet endast en dag, 15.00-23.00, 14 september 2018<\/p>\n<h4>Deltagande konstn\u00e4rer<\/h4>\n<p><strong>Anne-Charlotte Dahl<\/strong> &#8211; Skulptur<br \/>\n<strong>Bo Fredriksson<\/strong> &#8211; M\u00e5leri<br \/>\n<strong>Dan Wid<\/strong> &#8211; Skulptur<br \/>\n<strong>Frida Lund\u00e9n<\/strong> &#8211; Skulptur<br \/>\n<strong>Jakob Ojanen<\/strong> &#8211; Installation<br \/>\n<strong>Joakim Tano<\/strong> &#8211; Skulptur<br \/>\n<strong>Lisa Englund<\/strong> &#8211; Installation<br \/>\n<strong>Marie L\u00e5nghans<\/strong> &#8211; M\u00e5leri\/skulptur<\/p>\n<p>Dan Wid: <a href=\"http:\/\/www.danwid.se\">www.danwid.se<\/a><br \/>\nFrida Lund\u00e9n: <a href=\"http:\/\/www.fridalunden.se\">www.fridalunden.se<\/a><br \/>\nJakob Ojanen: <a href=\"http:\/\/www.jakobojanen.com\">www.jakobojanen.com<\/a><br \/>\nMarie L\u00e5nghans: <a href=\"http:\/\/www.marielanghans.com\">www.marielanghans.com<\/a><br \/>\nJoakim Tano: <a href=\"http:\/\/www.joakimtano.com\">www.joakimtano.com<\/a><\/p>\n<p><strong>Plats:<br \/>\n<\/strong>VATTENTORNET 1, 722 23 V\u00e4ster\u00e5s.<strong><br \/>\n<\/strong><a href=\"https:\/\/goo.gl\/maps\/iDLXEWexYbS2\">https:\/\/goo.gl\/maps\/iDLXEWexYbS2<\/a><\/p>\n<p><strong>Hitta till platsen \/ tillg\u00e4nglighet:<\/strong> f\u00f6lj den skyltade och upplysta g\u00e5ngv\u00e4gen som leder upp mot tornet fr\u00e5n nansenv\u00e4gen. utst\u00e4llningsytan \u00e4r grusad, men i endast ett plan, utan trappsteg eller andra hinder. Toalett finns men \u00e4r placerad i vattentornets topp via hiss, d\u00e4rf\u00f6r kan eldrivna fordon ej tas med till toalett. Toalett har viss anpassning f\u00f6r rullstol.<br \/>\n<strong>Directions &amp; accessibility:<\/strong> the water tower is easily accessed via the paved walkway from nansenv\u00e4gen, just follow the signs and lights. the exhibition area is not paved, but graveled. the exhibition is on the ground floor and in one level only, no stairs or other obstacles.<\/p>\n<p><strong>Tider konstutst\u00e4llning:\u00a0<\/strong>15.00-23.00, 14 september 2018 (endast under dena dag)<br \/>\n<strong>Tider konserter:<\/strong>\u00a0 start 18.00<\/p>\n<p><strong>Evenemanget p\u00e5 facebook<\/strong>:\u00a0<a href=\"https:\/\/www.facebook.com\/events\/673252556387708\/\">https:\/\/www.facebook.com\/events\/673252556387708\/<\/a><\/p>\n<p>evenemanget anordnas med s\u00e4rskilt st\u00f6d av v\u00e4ster\u00e5s stads kulturn\u00e4mnd\u00a0<a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/vasteras-stad-logo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3026\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/vasteras-stad-logo-300x113.jpg\" alt=\"\" width=\"104\" height=\"39\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/vasteras-stad-logo-300x113.jpg 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/vasteras-stad-logo-768x289.jpg 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/vasteras-stad-logo-1024x386.jpg 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/vasteras-stad-logo.jpg 1713w\" sizes=\"auto, (max-width: 104px) 100vw, 104px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<h3>15\/9 Kulturnatt med WERL (US\/SE), M\u00e5lgrupp, Back, Curt Christer och Helena ft. Nicklas Sandstr\u00f6m<\/h3>\n<p>Traditionsenligt k\u00f6r Nya Perspektiv p\u00e5 Klubb 19 p\u00e5 Kulturnatten!<br \/>\n<em>Slottsgatan 19, V\u00e4ster\u00e5s<\/em><\/p>\n<p>En sk\u00f6n blandning av olika uttryck. <em>Fri entr\u00e9!\u00a0<\/em><\/p>\n<p><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/CCH-2018-no-logo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-3035\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/CCH-2018-no-logo-1024x683.jpg\" alt=\"\" width=\"474\" height=\"316\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/CCH-2018-no-logo-1024x683.jpg 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/CCH-2018-no-logo-300x200.jpg 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/CCH-2018-no-logo-768x513.jpg 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/CCH-2018-no-logo.jpg 1437w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><\/p>\n<h4>19.00 Curt Christer och Helena featuring Nicklas Sandstr\u00f6m<\/h4>\n<p>Monoton\u00a0improvisation med trummor och elbas \u00f6ver ringlande synthmattor med doft av Tallinn.\u00a0Under kv\u00e4llen framf\u00f6rs n\u00e5gra stycken som blir till i stunden.<\/p>\n<p><strong>Curt \u00d6stlund<\/strong>\u00a0\u2013 synthar<br \/>\n<strong>Christ Rispling<\/strong>\u00a0\u2013 trummor<br \/>\n<strong>Helena \u00d6stlund<\/strong>\u00a0\u2013 elbas<br \/>\n<strong>Nicklas Sandstr\u00f6m<\/strong>\u00a0\u2013 tba<\/p>\n<p><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/DSC_0603f.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-3037\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/DSC_0603f-1024x846.jpg\" alt=\"\" width=\"474\" height=\"392\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/DSC_0603f-1024x846.jpg 1024w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/DSC_0603f-300x248.jpg 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/DSC_0603f-768x635.jpg 768w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><\/p>\n<h4>20.30 BACK<\/h4>\n<p>En vass gitarr och stark r\u00f6st som \u00f6verr\u00f6star dom flesta. Det \u00e4r musik med nerv i en industristad men mags\u00e5ret i NYC. Texterna \u00e4r lika skakande slamriga som gitarren \u00e4r pulserande poetisk. Tillsammans med <strong>Guidai de Mello<\/strong>, sin trumslagare och vapendragare sedan ton\u00e5rstiden, hamrar de in angel\u00e4gna samtidsber\u00e4ttelser och personligt n\u00e4ra betraktelser.<\/p>\n<p>Back har tidigare skrivit musik till och turnerat med Jenny Wrangborg &amp; Stationen.<\/p>\n<p><strong>Back<\/strong> &#8211; Elgitarr, s\u00e5ng<br \/>\n<strong>Guidai de Mello<\/strong> &#8211; trummor<\/p>\n<p><iframe loading=\"lazy\" title=\"In another town - Live p\u00e5 Galleri Mellanrum by Back\" width=\"474\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F489152016&#038;show_artwork=true&#038;maxheight=711&#038;maxwidth=474\"><\/iframe><\/p>\n<p>[video width=\"1920\" height=\"1080\" mp4=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/VID_20180726_163702.mp4\"][\/video]<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/malgrupp-album.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2985\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/malgrupp-album.jpg\" alt=\"\" width=\"429\" height=\"429\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/malgrupp-album.jpg 1200w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/malgrupp-album-150x150.jpg 150w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/malgrupp-album-300x300.jpg 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/malgrupp-album-768x768.jpg 768w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/malgrupp-album-1024x1024.jpg 1024w\" sizes=\"auto, (max-width: 429px) 100vw, 429px\" \/><\/a><\/p>\n<h4>21.30 M\u00e5lgrupp<\/h4>\n<p>M\u00e5lgrupp \u00e4r ett konstprojekt som har tagit m\u00e5nga skepnader sedan starten 2010. Visuell konst (video, fanzines, affisch, street art etc), Workshops, textkomposition och har framf\u00f6r allt kretsat kring musik. Ett tag stod m\u00e5lgrupp som ett \u00f6ppet musik kollektiv, vilket det p\u00e5 s\u00e4tt och vis fortfarande kanske g\u00f6r, fast p\u00e5 senare tid har det mest blivit meditationer fr\u00e5n en enda deltagare.<br \/>\nDessa meditationer sker idag oftast p\u00e5 ett stycke rullbandspelare som loopar, behandlar och f\u00f6r\u00e4ndrar f\u00f6rinspelade ljud (slagverk, synthar, dylikt) och f\u00e4ltinspelningar f\u00f6r att skapa nya ljud-skulpturer och atmosf\u00e4rer.<\/p>\n<p><strong>Julian Murray<\/strong> &#8211; elbas, efx, processing<\/p>\n<p><a href=\"https:\/\/maternalvoice.bandcamp.com\">https:\/\/maternalvoice.bandcamp.com<\/a><\/p>\n<p><iframe loading=\"lazy\" title=\"M\u00c5LGRUPP - B4 (2017)\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/tYVETIr8Er4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/werl.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2984\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/werl.jpg\" alt=\"\" width=\"476\" height=\"295\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/werl.jpg 476w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/werl-300x186.jpg 300w\" sizes=\"auto, (max-width: 476px) 100vw, 476px\" \/><\/a><\/p>\n<h4>ca 22.30 WERL<\/h4>\n<p>WERL \u00e4r en duo best\u00e5ende av den kanadensiska gitarristen <strong>Aidan Baker<\/strong> (\u00e4ven av Nadja, B \/ B \/ S \/ etc.) och den svenska trummisen <strong>Tomas J\u00e4rmyr<\/strong> (\u00e4ven av Zu, Motorpsycho, etc.). Utfallet \u00e4r en helt spontan improvisationsmusik som omfattar kaotisk fri- jazz, spr\u00e4ngfull metall, atmosf\u00e4riska droner och experimentella kluster. WERL sl\u00e4ppte sitt debut-2CD-album 2016 p\u00e5 den belgiska etiketten Consouling Sound och sl\u00e4ppte d\u00e4refter en uppf\u00f6ljnings LP, HH.2016.09.08, som dokumenterar ett liveframtr\u00e4dande i Hamburg, gemensamt sl\u00e4ppt av den tyska etiketten Wolves &amp; Vibrancy och den italienska etiketten Dio Drone.<\/p>\n<p><strong>Aidan Baker<\/strong> &#8211; Elgitarr, processing<br \/>\n<strong>Tomas J\u00e4rmyr<\/strong> &#8211; trummor<\/p>\n<p><iframe loading=\"lazy\" title=\"Aidan Baker &amp; Tomas J\u00e4rmyr - Werl I\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/Ix2tINveHcU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><a href=\"https:\/\/werl.bandcamp.com\">https:\/\/werl.bandcamp.com<br \/>\n<\/a><a href=\"https:\/\/www.facebook.com\/WERLduo\">https:\/\/www.facebook.com\/WERLduo<\/a><\/p>\n<p>Klubb 19\u00a0serveras fr\u00e5n 18-24.00.<br \/>\nLokal: Slottsgatan 19, V\u00e4ster\u00e5s.<br \/>\nTid: Klubb ifr\u00e5n 18.00 \u00a0 artister p\u00e5 scen: 19.00 och fram\u00e5t<br \/>\nEntr\u00e9: fri entr\u00e9.<\/p>\n<h3>20\/10 the Electrics (Strid\/D\u00f6rner\/Ericson\/Williamson)<\/h3>\n<p>Fr\u00e5n Berlin i \u00f6st till Vancouver i v\u00e4st: Jazz, fri-jazz, improvisation och samtida musik i en sm\u00e4ltdegel. <strong>the Electrics<\/strong> \u00e4r en h\u00f6gst originell musikalisk profil skapad av fyra internationellt renommerade musiker.<\/p>\n<p>Trumslagaren <strong>Raymond Strid<\/strong> \u00e4r idag ett v\u00e4lk\u00e4nt namn s\u00e5v\u00e4l p\u00e5 den svenska som internationella frijazz-och improvisationsscenen. <strong>Axel D\u00f6rner<\/strong> \u00e4r av de fr\u00e4msta arkitekterna bakom dagens trumpetspel. Med en rik katalog \u00f6ver ljud och uttryck, har han spelat med de flesta av de st\u00f6rsta improvisat\u00f6rerna \u00f6ver hela v\u00e4rlden. Hos <strong>Sture\u00a0Ericson<\/strong> finns ett brett spektrum av ljud i hans ordf\u00f6rr\u00e5d och med en omfattande bakgrund p\u00e5 den internationella fria musikscenen.\u00a0<strong>Joe Williamson, <\/strong>en\u00a0efterfr\u00e5gad och popul\u00e4r i experimenterande milj\u00f6er i London, Amsterdam, Berlin och Stockholm.<\/p>\n<p><strong>Raymond Strid<\/strong> &#8211; trummor<br \/>\n<strong>Axel D\u00f6rner<\/strong> &#8211; trumpet, slide-trumpet<br \/>\n<strong>Sture Ericson<\/strong> &#8211; saxofon, klarinett<br \/>\n<strong>Joe Williamson<\/strong> &#8211; kontrabas<\/p>\n<p><iframe loading=\"lazy\" title=\"The Electrics Bro\u0308tz 130522\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/LXqg0JDZlHs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<blockquote><p>\u201cShould be recognized without qualifictions as an identifying archetype of top- flight improvisation\u201d, \u201cA true Northern European super group\u201d\u00a0\u2013 Ken Waxman,\u00a0Jazz Weekly on The Electrics<\/p>\n<p>\u201cThe Electrics shift smoothly across adjacent genres, edging over from free jazz simmer to intricate small sound mosaics. They vary pace and dynamics expertly, and the energy flow is unaffected by their collective descent to the molecular level of buzz, tap, purr and whirr. It\u00b4s a total music conception fully realized by highly skilled players who impose no limits on their instruments.\u201d\u00a0\u2013 The WIRE<\/p><\/blockquote>\n<p>Klubb 19\u00a0serveras fr\u00e5n 20-24.00.<br \/>\nLokal: Slottsgatan 19, V\u00e4ster\u00e5s.<br \/>\nTid: Klubb ifr\u00e5n 20.00 \u00a0 artister p\u00e5 scen: 21.00<br \/>\nEntr\u00e9: 70 kr, studerande 40kr.<br \/>\nEntr\u00e9 f\u00f6r medlemmar: 50 kr \/ studerande 20 kr<br \/>\nMedlemsavgift: 20kr\/\u00e5r<br \/>\nMedlemmar som \u00e4r 18 \u00e5r eller yngre f\u00e5r alltid fri entr\u00e9!<\/p>\n<h3 class=\"entry-title\">27\/10 TRANSLUCENT HARMONIES \u2013 ANDPLAY (US)<\/h3>\n<p>The NYC-based music duo andPlay, featuring\u00a0<strong>Maya Bennardo<\/strong>\u00a0on violin and\u00a0<strong>Hannah Levinson<\/strong>\u00a0on viola, joins us to perform \u201cTranslucent Harmonies,\u201d a program of two pieces written by composers\u00a0<strong>Catherine Lamb<\/strong>\u00a0and\u00a0<strong>Kristofer Svensson<\/strong>. Since being founded in 2012, andPlay has been committed to expanding the existing violin\/viola repertoire through performances of rarely heard works as well as commissioned pieces from emerging composers.<\/p>\n<p>This program, commissioned from the composers, consists of two new pieces composed in just intonation, which uses a form of tuning outside of the standard system to create otherworldly moods. The first work Vid stenmuren blir tanken blomma (2018) by Kristofer Svensson is a constant pendulum movement between noise and tone in a state of stillness and silence. The title refers to the simple joy that can arise as you pass a stone wall, see a flower and at that moment forget yourself to realize the inseparable between mind and flower. The second work is Prisma Interius VIII (2018) by composer Catherine Lamb. The piece explores the gradations of perceptual and musical clarity and its limits within an environment.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2994\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/andPlay-2.jpg\" sizes=\"auto, (max-width: 297px) 100vw, 297px\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/andPlay-2.jpg 500w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/andPlay-2-199x300.jpg 199w\" alt=\"\" width=\"297\" height=\"447\" \/><br \/>\n<em>andPlay Photo by: Aleks Karjaka<\/em><\/p>\n<p>ABOUT THE PERFORMERS<br \/>\nDescribed by I Care If You Listen as \u201centhusiastic champions for new music and collaboration\u201d and performing \u201cwith a welcoming and dynamic spirit,\u201d andPlay is committed to expanding the existing violin\/viola duo repertoire through performing rarely heard works and commissioning emerging composers.<\/p>\n<p>The New York City-based duo of\u00a0<strong>Maya Bennardo<\/strong>, violin, and\u00a0<strong>Hannah Levinson<\/strong>, viola, first played to an eager crowd on Fire Island in the summer of 2012, and has since premiered nearly fifty new works, close to thirty of which have been commissioned, many of which include electronics. andPlay has collaborated closely with numerous composers, including Robert Honstein, Scott Wollschleger, Clara Iannotta, David Bird, Bethany Younge and Ravi Kittappa, and consider those relationships to be an integral part of their artistic process. Honstein praises the duo for their \u201cconsummate professionalism, fierce musicality and an unflappable good spirit.\u201d<\/p>\n<p>andPlay was a semi-finalist in the 2016 Concert Artists Guild Victor Emaleh Competition and was the recipient of a 2016 CMA Classical Commissioning grant with composer Ravi Kittappa, made possible by the Chamber Music America Classical Commissioning Program, with generous funding provided by The Andrew W. Mellon Foundation, and the Chamber Music America Endowment Fund.<\/p>\n<p>Recent highlights include a West Coast tour with performances and workshops at the Center for New Music in San Francisco and Monkspace in LA, a Midwestern tour (including performances in Columbus, Ohio through CNX: The Columbus \/\/ NYC New Music Exchange, at the Toledo Museum of Art, Short North Stage in Columbus, OH), and a performance as guest artists at the 2017 Omaha Under the Radar Festival (Omaha, NE). The duo has also performed at the NUNC!2 Conference at Northwestern University, the New Music Gathering at Peabody Conservatory, and the String Theories festival in New York City, as well as performances at venues including Roulette, The Stone, The DiMenna Center in NYC and The Record Company in Boston, MA.<\/p>\n<p>Beyond the concert stage, Maya and Hannah are passionate educators offering workshops in contemporary string techniques, chamber music coaching and composition notation for strings. They\u2019ve offered performances and masterclasses at UC Santa Cruz, Western Connecticut State University, and Bowling Green State and are artists-in-residence at the Snow Pond Composers Workshop (Sidney, ME).<\/p>\n<p>ABOUT THE COMPOSERS<br \/>\n<strong>Catherine Lamb<\/strong>\u00a0(b. 1982, Olympia, Wa, U.S.), is a composer exploring the interaction of elemental tonal material and the variations in presence between shades and beings in a room. She has been studying and composing music since a young age. In 2003 she turned away from the conservatory in an attempt to understand the structures and intonations within Hindustani Classical Music, later finding Mani Kaul in 2006 who was directly connected to Zia Mohiuddin Dagar and whose philosophical approach to sound became important to her. She studied (experimental) composition at the California Institute of the Arts (2004-2006) under James Tenney and Michael Pisaro, who were both integral influences. It was there also that she began her work into the area of Just Intonation, which became a clear way to investigate the interaction of tones and ever-fluctuating shades, where these interactions in and of them-selves became structural elements in her work. Since then she has written various ensemble pieces (at times with liminal electronic portions) and continues to go further into elemental territories, through various kinds of research, collaboration, and practice (herself as a violist). She received her MFA from the Milton Avery School of Fine Arts at Bard College in 2012 and is currently residing in Berlin, Germany.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone \" src=\"https:\/\/www.thewire.co.uk\/img\/scale\/940\/832\/2014\/08\/18\/Catherine-Lamb-web.jpg\" width=\"404\" height=\"357\" \/><br \/>\n<em>Catherine Lamb<\/em><\/p>\n<p><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Kristofer_Svensson.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2996\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Kristofer_Svensson.jpg\" sizes=\"auto, (max-width: 381px) 100vw, 381px\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Kristofer_Svensson.jpg 500w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Kristofer_Svensson-150x150.jpg 150w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Kristofer_Svensson-300x300.jpg 300w\" alt=\"\" width=\"381\" height=\"381\" \/><br \/>\n<\/a><em>Kristofer Svensson<\/em><\/p>\n<p><strong>Kristofer Svensson<\/strong>\u00a0is a composer from Stockholm, Sweden. His music is written exclusively in the alternative tuning system Just Intonation. Since becoming the first Swedish composer to retune a grand piano to Just Intonation for his graduation concert from the Royal College of Music in Stockholm in 2012, he has spearheaded the powerful movement of Swedish artists exploring microtonality in the 21st century. His use of Just Intonation is connected to an interest in the antique, an interest which also is reflected in a number of compositions for pre-1850 European instruments (chamber organs, clavichords, fortepianos etc.). The \u2018antique\u2019 is, however, not only limited to European traditions, and Svensson has spent extensive time studying Asian traditional musics such in Stockholm, Hong Kong, West Java, and Fukoka, Japan.. These studies were supported by grants from the Indonesian Ministry for Arts and Culture Darmasiswa-scholarship (2013), a JASSO Scholarship from the Japanese government (2015) as well as grants from the Swedish foundations G\u00e5l\u00f6s and (2015) and Anna Withlock Memorial Foundation (2014). In Indonesia, he worked together with Sundanese gamelan-maker Asep \u2018Dede\u2019 Ahum on designing a new set of justly tuned gamelan instruments later used in the piece \u2018Ir Himinn, Groenn\u2019 written for and premiered by Hong Kong New Music Ensemble (HK) and later released by the Swedish avant-garde label XKatedral on the compilation album \u201cXKatedral Volume II\u201d (2016). He has also written pieces for Asian instruments such as g\u01d4q\u00edn, sh\u014d, k\u014dto and kecapi. In the fall of 2018, a new bass koto piece in Just Intonation will be premiered by Miyama McQueen-Tokita in T\u014dky\u014d. His music has been premiered by many groups and his activities as a composer have been supported by numerous from Swedish foundations and institutions, including a recent commission through the Swedish Arts Council to write two new pieces for Mats Persson and Kristine Scholz to be premiered in 2019. He obtained a Master\u2019s degree in Music Composition from the University of Hong Kong with the thesis \u201cThe Use of Just Intonation in my Recent Compositions\u201d.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/YR841RDU1m8?feature=oembed\" width=\"474\" height=\"267\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><strong>andPlay<\/strong><br \/>\n<strong>Maya Bennardo<\/strong>\u00a0\u2013 violin<br \/>\n<strong>Hannah Levinson<\/strong>\u00a0\u2013\u00a0 viola<\/p>\n<p><strong>compositions:<\/strong><strong><br \/>\n<\/strong><strong>Kristofer Svensson \u2013\u00a0<\/strong>Vid stenmuren blir tanken blomma (2018)<br \/>\n<strong>Catherine Lamb \u2013\u00a0<\/strong>Prisma Interius VIII (2018)<\/p>\n<p><a href=\"http:\/\/andplayduo.com\/\">http:\/\/andplayduo.com\/<\/a><\/p>\n<p><a href=\"http:\/\/www.sacredrealism.org\/catlamb\/index.html\">http:\/\/www.sacredrealism.org\/catlamb\/index.html<br \/>\n<\/a><a href=\"http:\/\/kristofersvensson.com\/\">http:\/\/kristofersvensson.com\/<br \/>\n<\/a><a href=\"https:\/\/en.wikipedia.org\/wiki\/Just_intonation\">https:\/\/en.wikipedia.org\/wiki\/Just_intonation<\/a><\/p>\n<p>Klubb 19\u00a0serveras fr\u00e5n 20-24.00.<br \/>\n<strong>Lokal<\/strong>: Slottsgatan 19, V\u00e4ster\u00e5s.<br \/>\n<strong>Tid<\/strong>: Klubb ifr\u00e5n 20.00 \u00a0 artister p\u00e5 scen: 21.00<br \/>\n<strong>Entr\u00e9<\/strong>: 70 kr, studerande 40kr.<br \/>\n<strong>Entr\u00e9 f\u00f6r medlemmar<\/strong>: 50 kr \/ studerande 20 kr<br \/>\n<strong>Medlemsavgift<\/strong>: 20kr\/\u00e5r<br \/>\n<em>Medlemmar som \u00e4r 18 \u00e5r eller yngre f\u00e5r alltid fri entr\u00e9!\u00a0<\/em><\/p>\n<p>&nbsp;<\/p>\n<h3>torsdag 15\/11 Ensemble Gahlmm p\u00e5 V\u00e4ster\u00e5s Konstmuseum<\/h3>\n<p>Vintern 2018 st\u00e5r en helt ny ensemble p\u00e5 den svenska konstmusikscenen!<\/p>\n<p>Ensemblens sammans\u00e4ttning best\u00e5r av musiker som i olika konstellationer arbetat i duoformer och musiker som v\u00e4l k\u00e4nner till varandra men aldrig spelat tillsammans. Gemensamt f\u00f6r dem alla \u00e4r att de under m\u00e5nga \u00e5r visat prov p\u00e5 h\u00f6gkvalitativa framf\u00f6randen p\u00e5 den nationella s\u00e5 v\u00e4l som internationella scenen.<\/p>\n<p><strong>Ensemble GAHLMM<\/strong> \u00e4r under h\u00f6sten 2018 i slutfasen att sammanst\u00e4lla en sp\u00e4nnande repertoar. Repertoaren inbegriper ett stort omf\u00e5ng inom den nutida konstmusiken s\u00e5som kammarmusik till improvisation och elektronik. Tons\u00e4ttare som \u00e4r medlemmar i FST har under \u00e5ret skrivit verk f\u00f6r denna ensemble i och med att FST fyller 100 \u00e5r . Det r\u00e5der inget tvivel om att det blir spektakul\u00e4rt och en av den skandinaviska vinterkylans stora h\u00e4ndelser!<\/p>\n<h4>ENSEMBLE GAHLMM<\/h4>\n<p><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Screen-Shot-2018-08-20-at-23.06.49.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3003 size-full\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Screen-Shot-2018-08-20-at-23.06.49.png\" alt=\"\" width=\"253\" height=\"250\" \/><\/a><\/p>\n<p><strong>MY HELLGREN<\/strong> bor i G\u00f6teborg och arbetar som cellist i m\u00e5nga olika sammanhang. Hon \u00e4r som mest aktiv inom den nutida konstmusiken och \u00e4r medlem i Curious Chamber Players, ensemble Mimitabu och text\/ljud trion MonoMono. Hon anlitas \u00e4ven av andra ensembler som t.ex. Gageego! och danska Scenatet. Hellgren samarbetar g\u00e4rna med tons\u00e4ttare och har uruppf\u00f6rt solo och kammarmusikstycken. Hon har tilldelats arbetsstipendier fr\u00e5n Konstn\u00e4rsn\u00e4mnden, G\u00f6teborgs stad och V\u00e4stra G\u00f6talandsregionen. My \u00e4r utbildad p\u00e5 Det Kongelige Danske Musik-konservatorium i K\u00f6penhamn samt p\u00e5 HSM i G\u00f6teborg.<\/p>\n<p><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Screen-Shot-2018-08-20-at-23.08.02.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3004\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Screen-Shot-2018-08-20-at-23.08.02.png\" alt=\"\" width=\"254\" height=\"248\" \/><\/a><\/p>\n<p><strong>GEORGE KENTROS<\/strong><br \/>\nSvensk-amerikansk violinist utbildad vid Yale University och Mannes School of Music i USA samt p\u00e5 Musikh\u00f6gskolan i Stockholm. Han har under hela sin karri\u00e4r specialiserat sig p\u00e5 den allra nyaste konstmusiken, fr\u00e4mst med kvartetten p\u00e4rlor f\u00f6r svin som han grundade 1995 och duon There are no more four seasons, som bildades 2004 och vars debut-CD kallades f\u00f6r en av decenniets 10 fr\u00e4msta klassiska inspel-ningar av DN. Hittills har han hunnit best\u00e4lla och uruppf\u00f6ra fler \u00e4n 150 verk av tons\u00e4ttare fr\u00e5n 20 l\u00e4nder och framtr\u00e4tt som solist, kammarmu-siker och sk\u00e5despelare runtom i Europa samt i USA, Japan, Kanada och Centralamerika. Han grundade \u00e4ven avantgardeklubben SEKT, som var stilbildande inom den svenska alternativa blandkonstscenen och som nu har funnits i 19 \u00e5r.<\/p>\n<p><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Screen-Shot-2018-08-20-at-23.10.07.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3005\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Screen-Shot-2018-08-20-at-23.10.07.png\" alt=\"\" width=\"254\" height=\"175\" \/><\/a><\/p>\n<p><strong>HENRIK OLSSON<\/strong><br \/>\nFr\u00e5n bruksorten Kyrkhult i Blekinge, har studerat improvisation och klassiskt slagverk vid G\u00f6te-borgs Musikh\u00f6gskola med mastersexamen 2001. Olsson ing\u00e5r till och fr\u00e5n i olika samarbetsprojekt; senast som komposit\u00f6r och musiker i Francesco Scavettas dansf\u00f6rest\u00e4llning Lost Accidentally och som Foley vid stumfilms-visningar tillsammans med Matti Bye Ensemble p\u00e5 bl. a San Francisco Silent Film Festival, G\u00f6teborgs Filmfestival, Kalbj\u00e4rga Filmfestival p\u00e5 F\u00e5r\u00f6. Han r\u00f6r sig fritt mellan improviserad och noterad musik, d\u00e4r n\u00e4stintill oh\u00f6rbara akustiska ljudk\u00e4llor eller friktioner lyfts fram med hj\u00e4lp av piezoelement. Senaste \u00e5ren har han turnerat och g\u00e4stspelat p\u00e5 festivaler i Ryssland, Japan, USA, Kuba, Libanon samt hela Europa fr\u00e5n Svalbard till Aten med musik utgiven p\u00e5 Another Timbre, H\u00e4pna, Kning Disk, BombaxBombax, Monotype Records, Sofa med flera.<\/p>\n<p><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Screen-Shot-2018-08-20-at-23.10.59.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3006\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Screen-Shot-2018-08-20-at-23.10.59.png\" alt=\"\" width=\"251\" height=\"254\" \/><\/a><\/p>\n<p><strong>MATTIAS PETERSSON<\/strong> \u00e4r utbildad vid Kungl. Musikh\u00f6gskolan och har diplom i elektroakustisk komposition. Sedan sin examen 2006 har han varit internationellt verksam b\u00e5de som tons\u00e4ttare och elektron-musiker. Som soloartist har han sl\u00e4ppt skivor med sin elektroniska musik p\u00e5 bland annat Moving Furniture Records, iDeal Recordings, Fylkingen Records och Jahr Null Aufnahmen. Han har \u00e4ven skrivit en stor m\u00e4ngd kammar-musik, ett flertal operor och gjort musik till \u00e5tta dansf\u00f6rest\u00e4llningar. Petersson samarbetar med namnkunniga artister och ensembler fr\u00e5n olika musikaliska f\u00e4lt och hans musik har spelats b\u00e5de i klubbmilj\u00f6er och p\u00e5 impro- och kammamusik-scener \u00f6ver hela v\u00e4rlden. Som ena halvan av den hyllade duon There are no more four seas-ons har han tillsammans med violinisten George Kentros omarbetat klassiska verk till ny musik f\u00f6r violin och live-elektronik.<\/p>\n<p><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Screen-Shot-2018-08-20-at-23.11.41.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3007\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Screen-Shot-2018-08-20-at-23.11.41.png\" alt=\"\" width=\"251\" height=\"187\" \/><\/a><\/p>\n<p><strong>ANNA SVENSDOTTER<\/strong><br \/>\nFl\u00f6jtist baserad i G\u00f6teborg. Spelar i flera olika ensembler: 40f (som firar 10-\u00e5rsjubileum i \u00e5r), Parkour, Ghost Inside Ghost, Trio Ek\/Janson\/ Svensdotter och duon Glow med My Hellgren. 2013 sl\u00e4pptes solo-CDn Alpha Waves (SFZ Records) med svensk musik f\u00f6r fl\u00f6jt och elektronik. 2019 v\u00e4ntar bland annat en duo-turn\u00e9 med Paula Matthusen (US) och teater-projekt med Teater Spira.<\/p>\n<p><a href=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Screen-Shot-2018-08-20-at-23.12.21.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3008\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/Screen-Shot-2018-08-20-at-23.12.21.png\" alt=\"\" width=\"250\" height=\"193\" \/><\/a><\/p>\n<p class=\"p1\"><b>LISA ULL<\/b><span class=\"s1\"><b>\u00c9<\/b><\/span><b>N <\/b>\u00e4r en av landets mest inflytelserika pianister inom den nutida konstmusiken och ofta verksam inom den svenska frijazz- och improvi-sationsscen. Ull\u00e9n \u00e4r ocks\u00e5 internationellt k\u00e4nd som en unik och kompromissl\u00f6s tons\u00e4ttare och musiker. Under de senaste decenniet \u00e5ren har hon sl\u00e4ppt \u00f6ver femton album i b\u00e5de eget namn och i olika samarbeten med musiker som Charlotte Hug, Okkyung Lee, Nina de Heney, Mariam Wallentin, Maggie Nicols och turnerat i Europa, USA, Kanada och Japan. Senast har hon sl\u00e4ppt trippel-CDn <i>Piano Works <\/i>f\u00f6r solo piano och vinyl EP:n <i>Sekvenser och Lager <\/i>med Mot-st\u00e5ndsorkestern, en komposition f\u00f6r storband som rymmer inte mindre \u00e4n tre kontrabasister.<\/p>\n<p>Plats: V\u00e4ster\u00e5s Konstmuseum Karlsgatan 2 H\u00f6rsalen<br \/>\nTid: 18.00<br \/>\nFri entr\u00e9!<\/p>\n<p><em>Ensemblen framf\u00f6r verken:<br \/>\n<\/em><strong>Fredrik Gran<\/strong>\u00a0\u2013 Vox terminus (9 min)<br \/>\n<strong>Marta Forsberg<\/strong>\u00a0\u2013 To all Frequencies I Can Not sense for Quartet (omarb.) (21 min)<br \/>\n<strong>Ida Lund\u00e9n<\/strong>\u00a0\u2013 Tyskamossarnas sugluft (omarb.) (12 min)<br \/>\n<strong>Dror Feiler<\/strong>\u00a0\u2013 Halat at tawari \u2013 \u05de\u05e6\u05d1 \u05d7\u05e8\u05d5\u05dd (5 min)<\/p>\n<div id=\"fb-root\" class=\" fb_reset\">\n<div>\n<div><\/div>\n<\/div>\n<div>\n<div><iframe loading=\"lazy\" id=\"fb_xdm_frame_https\" tabindex=\"-1\" title=\"Facebook Cross Domain Communication Frame\" src=\"https:\/\/staticxx.facebook.com\/connect\/xd_arbiter\/r\/afATJJjxKE6.js?version=43#channel=f25e0efc813077&amp;origin=http%3A%2F%2Fwww.nyaperspektiv.se\" name=\"fb_xdm_frame_https\" width=\"300\" height=\"150\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" aria-hidden=\"true\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"fb-video fb_iframe_widget fb_iframe_widget_fluid_desktop\" data-href=\"https:\/\/www.facebook.com\/dror.feiler\/videos\/10155633582030807\/?t=307\" data-width=\"474\"><iframe loading=\"lazy\" class=\"\" title=\"fb:video Facebook Social Plugin\" src=\"https:\/\/www.facebook.com\/v3.2\/plugins\/video.php?app_id=&amp;channel=https%3A%2F%2Fstaticxx.facebook.com%2Fconnect%2Fxd_arbiter%2Fr%2FafATJJjxKE6.js%3Fversion%3D43%23cb%3Df70f7ef337afe8%26domain%3Dwww.nyaperspektiv.se%26origin%3Dhttp%253A%252F%252Fwww.nyaperspektiv.se%252Ff25e0efc813077%26relation%3Dparent.parent&amp;container_width=474&amp;href=https%3A%2F%2Fwww.facebook.com%2Fdror.feiler%2Fvideos%2F10155633582030807%2F%3Ft%3D307&amp;locale=da_DK&amp;sdk=joey&amp;width=474\" name=\"f1add35691fef2\" width=\"474px\" height=\"1000px\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>Plats: V\u00e4ster\u00e5s Konstmuseum Karlsgatan 2 H\u00f6rsalen<br \/>\nTid: 18.00<br \/>\nFri entr\u00e9!<\/p>\n<p>Med speciellt st\u00f6d ifr\u00e5n:<\/p>\n<p><a href=\"https:\/\/rankmusik.se\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2597\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/rank_logo_small.png\" alt=\"\" width=\"128\" height=\"47\" \/>\u00a0\u00a0<\/a><a href=\"http:\/\/samspelsverige.se\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3013\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/samspel_logo_purple-300x175.png\" sizes=\"auto, (max-width: 169px) 100vw, 169px\" srcset=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/samspel_logo_purple-300x175.png 300w, https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/samspel_logo_purple.png 400w\" alt=\"\" width=\"169\" height=\"99\" \/>\u00a0<\/a><a href=\"https:\/\/fst.se\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3021\" src=\"https:\/\/www.nyaperspektiv.se\/news\/wp-content\/uploads\/fst_logga-300x152-300x152.jpg\" alt=\"\" width=\"162\" height=\"82\" \/><\/a><\/p>\n<p>Klubb 19\u00a0serveras fr\u00e5n 20-24.00.<br \/>\n<strong>Lokal<\/strong>: Slottsgatan 19, V\u00e4ster\u00e5s.<br \/>\n<strong>Tid<\/strong>: Klubb ifr\u00e5n 20.00 \u00a0 artister p\u00e5 scen: 21.00<br \/>\n<strong>Entr\u00e9<\/strong>: 70 kr, studerande 40kr.<br \/>\n<strong>Entr\u00e9 f\u00f6r medlemmar<\/strong>: 50 kr \/ studerande 20 kr<br \/>\n<strong>Medlemsavgift<\/strong>: 20kr\/\u00e5r<br \/>\n<em>Medlemmar som \u00e4r 18 \u00e5r eller yngre f\u00e5r alltid fri entr\u00e9!\u00a0<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em>med reservation f\u00f6r \u00e4ndringar<\/em><\/p>\n<p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":3250,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3095","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/3095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3095"}],"version-history":[{"count":3,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/3095\/revisions"}],"predecessor-version":[{"id":3161,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/3095\/revisions\/3161"}],"up":[{"embeddable":true,"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=\/wp\/v2\/pages\/3250"}],"wp:attachment":[{"href":"https:\/\/www.nyaperspektiv.se\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}